John O'Neill

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John O'Neill


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This is the disambiguation profile for otherwise unseparated authors publishing as "John O'Neill". ...more

Average rating: 4.16 · 2,843 ratings · 327 reviews · 214 distinct worksSimilar authors
The Fisherman's Tomb: The T...

4.22 avg rating — 2,250 ratings — published 2018 — 9 editions
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The Jazz Method for Alto Sa...

4.43 avg rating — 23 ratings — published 1992 — 6 editions
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El hermano de mi mejor amig...

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3.43 avg rating — 21 ratings2 editions
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The 'Bago Blues

3.10 avg rating — 20 ratings3 editions
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The Jazz Method for Trumpet...

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4.50 avg rating — 8 ratings — published 1995 — 3 editions
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Dialectic of Desire and Rec...

4.29 avg rating — 7 ratings — published 1996 — 4 editions
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Bud sex: Erótica gay

3.83 avg rating — 6 ratings2 editions
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Mum is in Charge by John O'...

4.40 avg rating — 5 ratings — published 2013 — 3 editions
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Huyton Huyton Two Dogs Figh...

4.40 avg rating — 5 ratings3 editions
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It's Only a Game

really liked it 4.00 avg rating — 5 ratings — published 2008 — 3 editions
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Quotes by John O'Neill  (?)
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“The inscape is an autohypnotic internal landscape populated by the patient's alters (Young, 1994). The alters typically have distinct bodies in the inscape, with inter-alter consensus as to what each one looks like. Some DID patients have reported having access to such inscapes (presumably through autohypnosis) prior to any treatment. If a dissociative patient seems to have no inscape, guided hypnosis or guided imagery may provide one, for example, as developed by George Fraser (1991) in his Dissociative Table Technique. But in my experience even this therapist initiative typically arrives in a space connecting to a seemingly "ready-made" extended inscape, simple or elaborate, whose "inhabitants" (alters) claim that it preexisted the hypnotic intervention. The space and extended inscape will also have idiosyncratic features, perplexing to the patient and therapist, which later (even years later) prove to have dynamic significance.”
John O'Neill

“Her constant half-smile reflected the amusement of a time traveler from a long-ago world at the folly of the present world to which she had somehow been transported.”
John O'Neill, The Fisherman's Tomb: The True Story of the Vatican's Secret Search

“How can what seems to be many really be one? How can what is one manifest as many? Just what is it that there are many of, and what is it that remains one throughout?”
John O'Neill

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