Peter Fuller

“Take Baselitz, a German, and, by all accounts, one of the best of the new tendency painters. His work is inept: expressionistic though not expressionist, he has made a mannerism and a great deal of money by prostituting an indigenous German tradition. Baselitz’s painting lacks even an echo of authentic experience, let alone achieved technical skill, or ‘working-through’ of expressively original forms. Inflated in scale and price, overweening, ugly, bombastic, vapid, loose, and awash with the sentimentality of borrowed angst, Baselitz paints a sort of seamless Misery Me Gift-Wrap. He suffers from some stultifying occlusion of the imagination, lacks touch and sensitivity as a draughtsman, and possesses none but the most degraded ‘studio’ colour sense. He gives the impression that he has neither looked at the world nor within himself. Indeed his works are so drab and lacking in any painterly confidence that, despite their enormous size, one would hardly notice them unless they were hung upside down – which many of them are.”
― Peter Fuller, IMAGES OF GOD