Nur Masalha

“the music of Israel’s national anthem, ha-Tikva, came from the Czech national musician, Smetana; much of the music used in nationalist Israeli songs originated in Russian folk-songs; even the term for an Israeli-born Jew free of all the ‘maladies and abnormalities of exile’ is in fact the Arabic word sabar, Hebraicised as (masculine and tough) tzabar or sabra (Bresheeth 1989: 131), the prickly pear grown in and around the hundreds of Palestinian villages destroyed by Israel in 1948. Even the ‘national anthem of the Six Day War’, No’ami Shemer’s song ‘Jerusalem of Gold’, was a plagiarised copy of a Basque lullaby (Masalha 2007: 20, 39). Seeking to create an ‘authentic, nativised’ identity, the East European Jewish colonists claimed to represent an indigenous people returning to its homeland after 2000 years of absence; in fact Russian or Ukrainian nationals formed the hard core of Zionist activism.”
― Nur Masalha, Palestine: A Four Thousand Year History