Jason M. Baxter
More books by Jason M. Baxter…
“Christianity is the prince of myths, the ultimate and final myth, what our scholar of medieval literature called a "true myth." By this he meant that Christianity was a mythological picture of the world with one important and extraordinary difference: its mythological features entered into history and time and wore a face.”
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“If I wished to satirise the present political order I should borrow for it the name which Punch invented during the first German War: Govertisement. This is a portmanteau word and means “government by advertisement.” But my intention is not satiric; I am trying to be objective. The change is this. In all previous ages that I can think of the principal aim of rulers, except at rare and short intervals, was to keep their subjects quiet, to forestall or extinguish widespread excitement and persuade people to attend quietly to their several occupations. And on the whole their subjects agreed with them. They even prayed (in words that sound curiously old-fashioned) to be able to live “a peaceable life in all godliness and honesty” and “pass their time in rest and quietness.” But now the organisation of mass excitement seems to be almost the normal organ of political power. We live in an age of “appeal,” “drives,” and “campaigns.” Our rulers have become like schoolmasters and are always demanding “keenness.” And you notice that I am guilty of a slight archaism in calling them “rulers.” “Leaders” is the modern word. I have suggested elsewhere that this is a deeply significant change of vocabulary. Our demand upon them has changed no less than theirs on us. For of a ruler one asks justice, incorruption, diligence, perhaps clemency; of a leader, dash, initiative, and (I suppose) what people call “magnetism” or “personality.”
― The Medieval Mind of C. S. Lewis: How Great Books Shaped a Great Mind
― The Medieval Mind of C. S. Lewis: How Great Books Shaped a Great Mind
“What we find, then, is that Dante’s musical program embodies theological realities. Infernal sinners remain willfully rebellious. In life they broke away from the human community to pursue some good in vicious competition with the rest of the human race. Now, as a community, they fail to achieve concord. Like musical notes that remain independent, their retained individuality is ugly and broken. Repentant sinners in purgatory, on the other hand, now willfully submit their individuality to the community. They learn now what it is like to live as members of a body. And thus they erase their tendencies to erratic individualism, forcing their voices into the unison of the simple plainchant. But with the polyphonic hymns of Paradiso, we have not only concord but also a simultaneous expression of individuality: Dante gives us a vision of heaven as a million-part motet.”
― A Beginner's Guide to Dante's Divine Comedy
― A Beginner's Guide to Dante's Divine Comedy
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