Beatriz Bracher

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Beatriz Bracher


Born
São Paulo, São Paulo, Brazil
Genre


Beatriz Bracher é uma escritora e roteirista brasileira.

Foi uma das fundadoras da Editora 34, na qual trabalhou de 1992 até 2000. Também editou a revista 34 Letras, especializada em literatura e filosofia, entre os anos de 1988 e 1991.

Escreveu o argumento do filme Cronicamente Inviável (2000) e os roteiros de Os Inquilinos (2009, prêmio de melhor roteiro no Festival do Rio) e O Abismo Prateado (2011).

Seu livro Antônio, de 2007, ficou em terceiro lugar no Prêmio Jabuti, na categoria romance. Além disso, foi o segundo colocado no Prêmio Portugal Telecom de Literatura e finalista do Prêmio São Paulo de Literatura3 4 . Em 2009, recebeu o Prêmio Clarice Lispector pela coletânea de contos Meu Amor.

Average rating: 3.68 · 886 ratings · 117 reviews · 25 distinct worksSimilar authors
Antonio

3.70 avg rating — 300 ratings — published 2021 — 3 editions
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I Didn't Talk

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3.58 avg rating — 160 ratings — published 2004 — 8 editions
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Anatomia do Paraíso

3.72 avg rating — 43 ratings2 editions
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Azul e dura

3.77 avg rating — 35 ratings — published 2002 — 3 editions
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Meu Amor

3.75 avg rating — 20 ratings — published 2009 — 3 editions
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Garimpo

3.73 avg rating — 11 ratings — published 2013 — 2 editions
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Guerra — I: Ofensiva paragu...

3.50 avg rating — 2 ratings
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A Visita

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Die Verdächtigung

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Antonio: My 804 days in an ...

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More books by Beatriz Bracher…
Quotes by Beatriz Bracher  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“If it’s possible to have a thought without a word or an image, without time and space—complete, created by me, a revelation of what remains hidden in me (and from me) but suddenly appears, if it could be born so clearly for all to see, without origin, without any effort of breath, of tone of voice, of rhythm or hesitation, without vision even, emerging like a normal thought, or more than a thought: a thing—if such a thing could exist, then I’d like to tell a story.”
Beatriz Bracher, I Didn't Talk

“That’s the birdsong…the appearance of a priest in a church when we’re only there to see the stained glass windows. The moment in which we perceive another dimension of what we’re doing…and the value of error…because the birdsong in the middle of…Kant is certainly an error…and such is the magic of errors: we return from them changed…only then do we stop to think…and choose the most interesting path.”
Beatriz Bracher, I Didn't Talk

“To accept navy and cancer, archiving them in pigeonholes called soldier and death, is to discard, as error, care and maternity.”
Beatriz Bracher, I Didn't Talk

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