Devi S. Laskar
Goodreads Author
Born
in Chapel Hill, NC, The United States
Website
Twitter
Genre
Member Since
August 2007
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The Atlas of Reds and Blues
15 editions
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published
2019
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Alone Together: Love, Grief, and Comfort in the Time of COVID-19
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5 editions
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published
2020
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Circa
7 editions
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published
2022
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Gas & Food, No Lodging
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Anastasia Maps
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Midnight, at the War: A Novel
3 editions
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expected publication
2026
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Taboos and Transgressions: Stories of Wrongdoings
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The Roots That Help Us Grow: An Authentic Voices Anthology, Volume 1
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Graffiti
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Circa: A Novel
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Devi’s Recent Updates
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Devi Laskar
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Devi Laskar
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Devi Laskar
rated a book it was amazing
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Terrific, propulsive novel. Cannot wait for it to teach its readers | |
Devi Laskar
finished reading
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Devi Laskar
is currently reading
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Devi Laskar
rated a book it was amazing
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It was amazing | |
Devi Laskar
rated a book it was amazing
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Excellent novel! | |
Devi Laskar
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“Never mind that she’s been hearing this soliloquy from strangers since she was born, in the Year of the Fire Horse, twin sixes after the nineteen. Never mind the order of questions invariably changes even if the questions themselves do not: 'How long have y’all lived here? Do you even speak English? Oh, well. Your English is so good. Bless your heart, you must miss your people. You stick out like a raisin in a big bowl of oatmeal. Is it true that you worship cows? . . . Have you even heard of the Bible? Don’t get all uppity on me, don’t turn away. I know you think you don’t have to listen. But this is my country. You do. When are y’all heading back? Y’all best be getting back to where you came from, you hear? No need to overstay your welcome.”
― The Atlas of Reds and Blues
― The Atlas of Reds and Blues
“What does it mean truly, to be invisible? Her stillness, her ability to remain calm while high-decibel insults are hurled inches from her face and ears. To pretend nothing has been said. To pretend deafness. Or her chameleon's ability to blend in, a nondescript body in a dark blouse and black jeans leaning against the pay phone at the hospital waiting room, or standing outside the courtroom's double doors or by the fire engine at the crime scene, yellow do-not-cross tape isolating one place from its larger context. To pretend the oak tree across the street's steadfast patience, to pretend paralysis. To watch but pretend blindness. Never look anyone in the eye. Or maybe restraint. Knowing her lack of reaction is the only thing keeping her alive, over and again. Knowing the first time she hits back is the last time she'll ever have the opportunity to do so.”
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