Jane Ward

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Jane Ward


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Jane Ward is professor of Feminist Studies at University of California Santa Barbara. She teaches and writes about gender and sexual cultures, and has published on topics including the marriage self-help industry, the rise and fall of pickup artists, how early lesbian feminist ideas shaped contemporary gender politics, the meaning of sex between straight-identified men, queer childhood and parenting, the evolution of straight culture, the corporatization of gay pride festivals, the race politics of same-sex marriage, the social construction of whiteness, feminist pornography, and trans relationships.

Ward is the author of multiple books, including The Tragedy of Heterosexuality, described by The New York Times Book Review as "at heart a so
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Average rating: 4.04 · 2,778 ratings · 503 reviews · 10 distinct worksSimilar authors
The Tragedy of Heterosexuality

4.12 avg rating — 2,193 ratings — published 2020 — 8 editions
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Not Gay: Sex Between Straig...

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“...people cannot be rescued from forms of suffering that they themselves relate to as badges of honor.”
Jane Ward, The Tragedy of Heterosexuality

“First, queer feminists have argued that straight life is characterized by the inescapable influence of sexism and toxic masculinity, both of which are either praised or passively tolerated in straight spaces. Second, queer observers of straight life have pointed to straight women’s endless and ineffective efforts to repair straight men and the pain of witnessing straight women’s optimism and disappointment.”
Jane Ward, The Tragedy of Heterosexuality

“Similarly, in attempting to understand the misogyny paradox, we might ask how it is that so many women are investing in straight relationships, when these relationships so often cause them damage? The queer theorist Lauren Berlant’s analysis of “cruel optimism”—the term she uses to describe “the condition of maintaining an attachment to a significantly problematic object”—may be useful here. Berlant asks, “Why do people stay attached to conventional good-life fantasies . . . when the evidence of their instability [and] fragility . . . abound?” People persist in these attachments, Berlant explains, because the fantasy object provides a “sense of what it means to keep on living and looking forward to being in the world.”
Jane Ward, The Tragedy of Heterosexuality

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