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Martin Clayton’s Followers (2)
Martin Clayton
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Leonardo Da Vinci: Anatomist
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published
2012
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6 editions
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Leonardo da Vinci: The Mechanics of Man
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published
2010
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8 editions
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Leonardo Da Vinci: The Anatomy of Man
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The Cultural Study of Music
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published
2003
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18 editions
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Time in Indian Music: Rhythm, Metre, and Form in North Indian Rag Performance (Oxford Monographs on Music)
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published
2001
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6 editions
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Leonardo da Vinci: The Divine and the Grotesque
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published
2002
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5 editions
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Leonardo da Vinci: 10 Drawings from the Royal Collection
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Leonardo da Vinci: A Life in Drawing
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Holbein to Hockney
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published
2006
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5 editions
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Bill Viola / Michelangelo: Life, Death, Rebirth
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“TOM CLARE
A young man sauntered down the lane leading to the park. He shook his head to-and-fro and walked in a curiously disjointed way, punching the air with his right fist and stamping his feet, raising little clouds of dust as he went.”
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A young man sauntered down the lane leading to the park. He shook his head to-and-fro and walked in a curiously disjointed way, punching the air with his right fist and stamping his feet, raising little clouds of dust as he went.”
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“TOM CLARE
From a child, I was gripped by the amazing imagination on display in Alice in Wonderland. In my teens, the wild and wacky Goon Show came into being on the radio. Later, I became a huge fan of Tom Sharpe and his wickedly funny books. The more Gothic writing of Daphne du Maurier, especially in Rebecca and Don't Look Now, and the time manipulation novels of William Boyd, linger in my memory. Absurdity, in all its forms, is my type of humour. In retirement, all these sources, together with the stranger events from my life, inspired me to take up writing.”
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From a child, I was gripped by the amazing imagination on display in Alice in Wonderland. In my teens, the wild and wacky Goon Show came into being on the radio. Later, I became a huge fan of Tom Sharpe and his wickedly funny books. The more Gothic writing of Daphne du Maurier, especially in Rebecca and Don't Look Now, and the time manipulation novels of William Boyd, linger in my memory. Absurdity, in all its forms, is my type of humour. In retirement, all these sources, together with the stranger events from my life, inspired me to take up writing.”
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