Toru Takemitsu
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Music Shinco Bunko Seiji Ozawa
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expected publication
32767
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2 editions
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3 Film Scores: 1994/5 for String Orchestra - Score
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published
2005
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All in Twilight: 4 Pieces for Guitar
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published
2005
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Ikko Narahara: Japanesque
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In the Woods: 3 Pieces for Guitar
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published
2005
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I Hear the Water Dreaming: for Flute and Orchestra - Study Score
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published
2000
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A STRING AROUND AUTUMN VIOLIN AND ORCHESTRA SCORE
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published
1998
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In the Woods: 3 Pieces for Guitar
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published
1998
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2 editions
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FOLIOS
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A Bird Came Down the Walk: for Viola and Piano
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published
2005
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2 editions
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“Many contemporary composers have been building walls of sounds following their own clever devices. But then, who lives inside those rooms?”
― Confronting Silence: Selected Writings
― Confronting Silence: Selected Writings
“...by admitting a new perception of space and giving it an active sense, is it not possible to discover a new unexpected, unexplored world?”
― Confronting Silence: Selected Writings
― Confronting Silence: Selected Writings
“A single strum of the strings or even one pluck is too complex, too complete in itself to admit any theory. Between this complex sound—so strong that it can stand alone—and that point of intense silence preceding it, called ma, there is a metaphysical continuity that defies analysis.
In its complexity and integrity this single sound can stand alone. To the Japanese listener who appreciates this refined sound, the unique idea of ma—the unsounded part of this experience—has at the same time a deep, powerful, and rich resonance that can stand up to the sound.
…the Japanese sound ideal: sound, in its ultimate expressiveness, being constantly refined, approaches the nothingness of that wind in the bamboo grove.”
― Confronting Silence: Selected Writings
In its complexity and integrity this single sound can stand alone. To the Japanese listener who appreciates this refined sound, the unique idea of ma—the unsounded part of this experience—has at the same time a deep, powerful, and rich resonance that can stand up to the sound.
…the Japanese sound ideal: sound, in its ultimate expressiveness, being constantly refined, approaches the nothingness of that wind in the bamboo grove.”
― Confronting Silence: Selected Writings
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