Pierre Klossowski

Pierre Klossowski’s Followers (133)

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Pierre Klossowski


Born
in Paris, France
August 09, 1905

Died
August 12, 2001

Genre

Influences


Pierre Klossowski (August 9, 1905, Paris – August 12, 2001, Paris) was a French writer, translator and artist. He was the eldest son of the artists Erich Klossowski and Baladine Klossowska, and his younger brother was the painter Balthus.

Average rating: 3.66 · 5,121 ratings · 513 reviews · 98 distinct worksSimilar authors
Nietzsche and the Vicious C...

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4.28 avg rating — 333 ratings — published 1969 — 22 editions
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The Baphomet

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3.72 avg rating — 277 ratings — published 1965 — 3 editions
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Living Currency

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3.99 avg rating — 152 ratings — published 1970
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Sade My Neighbor

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3.97 avg rating — 152 ratings — published 1947 — 20 editions
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Roberte Ce Soir and The Rev...

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3.73 avg rating — 91 ratings — published 1953 — 15 editions
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Il bagno di Diana

3.65 avg rating — 71 ratings — published 1956 — 14 editions
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Diana at Her Bath / The Wom...

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4.20 avg rating — 56 ratings — published 1956 — 6 editions
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The Suspended Vocation

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3.66 avg rating — 44 ratings — published 1950 — 9 editions
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Roberte ce soir

2.98 avg rating — 54 ratings — published 1953 — 14 editions
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Such a Deathly Desire

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3.80 avg rating — 25 ratings — published 1963 — 13 editions
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More books by Pierre Klossowski…
La Révocation de l'Édit de ... Roberte ce soir Le leggi dell'ospitalità. V...
(3 books)
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3.48 avg rating — 191 ratings

Quotes by Pierre Klossowski  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“There are many more languages than we think: and man betrays himself more often than he desires. How things speak! - but there are very few listeners, so that man can only, as it were, chatter on in the void when he pours out his confessions: he squanders his ‘truths’, as the sun does its light. - Isn’t it rather a pity that the void has no ears?”
Pierre Klossowski, Nietzsche and the Vicious Circle

“The landscape of Turin, the monumental squares, the promenades along the Po river, were bathed in a kind of 'Claude Lorraine' luminosity (Dostoyevsky's golden age), a diaphonousness that removed the weight of things and made them recede into a infinite distance. The stream of light here became a stream of laughter - the laughter from which truth emerges, the laughter in which identities explode, including Nietzsche's. What also exploded is the meaning that things can have or lose for other things, not in terms of limited linkage or narrow context, but in terms of variations of light”
Pierre Klossowski

“Les dieux ont enseigné aux hommes à se contempler eux-mêmes dans le spectacle comme les dieux se contemplent eux-mêmes dans l'imagination des hommes.”
Pierre Klossowski

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