Paul Henry Lang

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Paul Henry Lang


Born
in Budapest, Hungary
August 28, 1901

Died
September 21, 1991

Genre


Paul Henry Lang was a Hungarian-American musicologist and music critic.

Average rating: 4.04 · 116 ratings · 22 reviews · 65 distinct worksSimilar authors
Music in Western Civilization

4.05 avg rating — 63 ratings — published 1941 — 16 editions
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George Frideric Handel (Dov...

4.16 avg rating — 25 ratings — published 1966 — 19 editions
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The Experience of Opera

4.20 avg rating — 5 ratings — published 1973 — 7 editions
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The Creative World of Mozart

3.75 avg rating — 4 ratings — published 1991 — 4 editions
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Musicology and Performance

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4.67 avg rating — 3 ratings — published 1997 — 2 editions
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Critic at the Opera

really liked it 4.00 avg rating — 3 ratings — published 1971
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Problems of Modern Music

liked it 3.00 avg rating — 3 ratings — published 1960 — 14 editions
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A Pictorial History of Music

really liked it 4.00 avg rating — 2 ratings5 editions
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The Creative World of Beeth...

liked it 3.00 avg rating — 1 rating3 editions
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The Symphony, 1800-1900

0.00 avg rating — 0 ratings — published 1969
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“What the music offers in a good opera is something that comes from a region that precedes the concrete concept of drama and, strictly speaking, stands outside the world of drama. Opera does not permit men to appear in nakedly logical acts, for the music dissolves feelings and thoughts into melodies and rhythms, harmonies and counterpoints, which in themselves have no conceptual meaning. Thus in opera objective situations may very well become entirely subjective expressions. Because of its paradoxical nature opera is capable of paradoxical effects; it can express purely sensuously the most profound abstractions, and the musical drama, exerting a mass effect far more than does the spoken drama, is much more primitive as drama than the spoken theatre; it must render conflict and character in immediate symbols.”
Paul Henry Lang, George Frideric Handel

“A study of Handel’s operas and other dramatic works in addition to the undramatic and hence atypical Messiah will disclose a Handel largely unknown: a composer with a remarkable sense for dramatic human character. He saw men and women where others have seen only historical-mythical busts.”
Paul Henry Lang, George Frideric Handel