Helena Goscilo
Born
in Edinburgh, Scotland
May 20, 1945
Genre
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Glasnost: An Anthology of Russian Literature Under Gorbachev
by
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published
1990
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3 editions
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Dehexing Sex: Russian Womanhood During and After Glasnost
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published
1996
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3 editions
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Lives in Transit: Recent Russian Women's Writing
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published
2013
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2 editions
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Balancing Acts: Contemporary Stories by Russian Women (A Midland Book) (English and Russian Edition)
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published
1989
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6 editions
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Putin as Celebrity and Cultural Icon (BASEES/Routledge Series on Russian and East European Studies)
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published
2012
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10 editions
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Fruits of Her Plume: Essays on Contemporary Russian Women's Culture
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published
1993
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6 editions
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Fade from Red: The Cold-War Ex-Enemy in Russian and American Film, 1990-2005
by |
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The Explosive World of Tatyana N. Tolstaya's Fiction
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published
1996
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6 editions
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Russia • Women • Culture
by
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published
1996
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4 editions
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Russian and Polish Women's Fiction
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published
1985
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2 editions
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“Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves. The surveyor of woman in herself is male; the surveyed female. Thus she turns herself into an object—and most particularly an object of vision.”
― Dehexing Sex: Russian Womanhood During and After Glasnost
― Dehexing Sex: Russian Womanhood During and After Glasnost
“The Yeltsin years considerably lowered the bar [of public expectations] for the country’s next leader: Putin’s specific policies and actions arguably matter far less than his reassuring symbolic function as “a real man” who can husband the nation’s resources and promise a return to greatness. (2007: 227)”
― Putin as Celebrity and Cultural Icon
― Putin as Celebrity and Cultural Icon
“Scholars generally understand post-Soviet nostalgia as something more than a simple longing for the return of the Soviet past (Boym 2001; Ivanova 1997; Nadkarni and Shevchenko 2004; Oushakine 2007; Sabonis-Chafee 1999). Nostalgia “emphasizes the irretrievability of the past as the very condition of desire,” since it “is never longing for a specific past as much as it is longing for longing itself, made all the safer by the fact that the object of that desire is deemed irrevocably lost” (Nadkarni and Shevchenko 2004: 491).”
― Putin as Celebrity and Cultural Icon
― Putin as Celebrity and Cultural Icon
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