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Taban Lo Liyong

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Taban Lo Liyong



Taban Lo Liyong (born 1939) is one of Africa's well-known poets and writers of fiction and literary criticism. His political views, as well as his on-going denigration of the post-colonial system of education in East Africa, have inspired criticism and controversy since the late 1960s.

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Average rating: 3.76 · 307 ratings · 54 reviews · 33 distinct works
The Colour of Hope

really liked it 4.00 avg rating — 19 ratings
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Another Nigger Dead: Poems

3.80 avg rating — 15 ratings — published 1972
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Fixions & other stories (Af...

3.71 avg rating — 14 ratings — published 1969 — 2 editions
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Words That Melt a Mountain

3.50 avg rating — 14 ratings — published 1996
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Carrying Knowledge Up a Pal...

3.88 avg rating — 8 ratings — published 1997 — 5 editions
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Frantz Fanon's Uneven Ribs ...

4.29 avg rating — 7 ratings — published 1971 — 2 editions
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Meditations of Taban Lo Liyong

4.40 avg rating — 5 ratings — published 1978
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after troy

4.20 avg rating — 5 ratings
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The cows of Shambat: Sudane...

3.75 avg rating — 4 ratings — published 1992
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The Last Word

it was amazing 5.00 avg rating — 3 ratings — published 2005 — 6 editions
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More books by Taban Lo Liyong…
Quotes by Taban Lo Liyong  (?)
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“Now, in all that he has done, Amos Tutuola is not sui generis. Is he ungrammatical? Yes. But James Joyce is more ungrammatical than Tutuola. Ezekiel Mphahlele has often said and written that African writers are doing violence to English. Violence? Has Joyce not done more violence to the English Language? Mark Twain's Huckleberry Finn is written in seven dialects, he tells us. It is acknowledged a classic. We accept it, forget that it has no "grammar", and go ahead to learn his "grammar" and what he has to tell us. Let Tutuola write "no grammar" and the hyenas and jackals whine and growl. Let Gabriel Okara write a "no grammar" Okolo. They are mum. Why? Education drives out of the mind superstition, daydreaming, building of castles in the air, cultivation of yarns, and replaces them with a rational practical mind, almost devoid of imagination. Some of these minds having failed to write imaginative stories, turn to that aristocratic type of criticism which magnifies trivialities beyond their real size. They fail to touch other virtues in a work because they do not have the imagination to perceive these mysteries. Art is arbitrary. Anybody can begin his own style. Having begun it arbitrarily, if he persists to produce in that particular mode, he can enlarge and elevate it to something permanent, to something other artists will come to learn and copy, to something the critics will catch up with and appreciate.”
Taban Lo Liyong

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