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Tom Gunning
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“This shift has immediate consequences. First, it moves the site of realism from a relation between camera and world to one between image and viewer, from ontology to phenomenology; it is our engagement with the moving image, the “increased sense of involvement with the cinematic image,” that is fundamental to the impression of reality. It”
― The Attractions of the Moving Image: Essays on History, Theory, and the Avant-Garde
― The Attractions of the Moving Image: Essays on History, Theory, and the Avant-Garde
“A vision of the past has always been central to Gunning’s work, one in which cinema’s history continues to matter to an ongoing sense of its present and future.”
― The Attractions of the Moving Image: Essays on History, Theory, and the Avant-Garde
― The Attractions of the Moving Image: Essays on History, Theory, and the Avant-Garde
“His look back, though, is not nostalgic; rather, it seeks to uncover what he calls “tales of cinema’s forgotten future” and to bring them into the present.”
― The Attractions of the Moving Image: Essays on History, Theory, and the Avant-Garde
― The Attractions of the Moving Image: Essays on History, Theory, and the Avant-Garde
Topics Mentioning This Author
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The History Book ...:
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FILM HISTORY - PART ONE
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621 | 495 | Jan 24, 2019 05:01AM |
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