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Kim Fulton

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Kim Fulton

Goodreads Author


Born
in Auckland, New Zealand
Website

Genre

Influences

Member Since
December 2016


Kim Fulton is a poet and fiction writer from Auckland, New Zealand. Her first book of poems, I kind of thought the alpacas were a metaphor until we got there, is out now.

Kim's writing has appeared in literary journals in New Zealand and overseas including Landfall, Mimicry, Poetry New Zealand, Scattered Feathers, The Unnecessary Invention of Punctuation, Hue and Cry, JAAM, takahē, The Pangolin Review, Ngā Kupu Waikato: An anthology of Waikato poetry, and Stasis Journal.

Her master's thesis looked at how contemporary elegiac poets use indirect approaches to loss, such as humour and irony, to avoid sentimentality. She likes to explore these approaches in her own work.
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Average rating: 4.06 · 17 ratings · 2 reviews · 5 distinct works
Poetry New Zealand Yearbook...

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4.10 avg rating — 10 ratings — published 2019
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Fresh Ink: A Collection of ...

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really liked it 4.00 avg rating — 3 ratings — published 2021
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Landfall 235

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really liked it 4.00 avg rating — 2 ratings — published 2018
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I kind of thought the alpac...

it was amazing 5.00 avg rating — 1 rating
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Hue & Cry Issue Eight  Holi...

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liked it 3.00 avg rating — 1 rating — published 2014
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Whistler
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Whistler by Ann Patchett
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Intimations by Zadie Smith
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We Are Okay by Nina LaCour
We Are Okay
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Whistler by Ann Patchett
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Book Lovers by Emily Henry
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Pūrākau by Witi Ihimaera
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One Aladdin Two Lamps by Jeanette Winterson
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Living A Quiet Life by Vanessa Marie Dewsbury
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Why Be Happy When You Could Be Normal? by Jeanette Winterson
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More of Kim's books…
Chad Harbach
“For Schwartz this formed the paradox at the heart of baseball, or football, or any other sport. You loved it because you considered it an art: an apparently pointless affair, undertaken by people with special aptitude, which sidestepped attempts to paraphrase its value yet somehow seemed to communicate something true or even crucial about The Human Condition. The Human Condition being, basically, that we're alive and have access to beauty, can even erratically create it, but will someday be dead and will not.

Baseball was an art, but to excel at it you had to become a machine. It didn't matter how beautifully you performed SOMETIMES, what you did on your best day, how many spectacular plays you made. You weren't a painter or a writer--you didn't work in private and discard your mistakes, and it wasn't just your masterpieces that counted.”
― Chad Harbach, The Art of Fielding

Sue Monk Kidd
“If you must err, do so on the side of audacity.”
― Sue Monk Kidd, The Invention of Wings

Fannie Flagg
“There are magnificent beings on this earth, son, that are walking around posing as humans.”
― Fannie Flagg, Fried Green Tomatoes at the Whistle Stop Cafe

John Steinbeck
“It has always seemed strange to me...The things we admire in men, kindness and generosity, openness, honesty, understanding and feeling, are the concomitants of failure in our system. And those traits we detest, sharpness, greed, acquisitiveness, meanness, egotism and self-interest, are the traits of success. And while men admire the quality of the first they love the produce of the second.”
― John Steinbeck, Cannery Row

John Steinbeck
“Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream. Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky tonks, restaurants and whore houses, and little crowded groceries, and laboratories and flophouses. Its inhabitant are, as the man once said, "whores, pimps, gambler and sons of bitches," by which he meant Everybody. Had the man looked through another peephole he might have said, "Saints and angels and martyrs and holymen" and he would have meant the same thing.”
― John Steinbeck, Cannery Row

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