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Average rating:
4.18
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39
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13 distinct works
Monuments, Objects, Histories: Institutions of Art in Colonial and Post-Colonial India
4.10 avg rating — 20 ratings
— published 2003 —
10 editions
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The Making of a New 'Indian' Art: Artists, Aesthetics and Nationalism in Bengal, c.1850–1920 (Cambridge South Asian Studies, Series Number 52)
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4.00 avg rating — 9 ratings
— published 1992 —
3 editions
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The City in the Archive: Calcutta's Visual Histories
4.67 avg rating — 3 ratings
— published 2011
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Theorizing the Present: Essays for Partha Chatterjee
by
Anjan Ghosh
,
Tapati Guha-Thakurta
,
Janaki Nair
4.50 avg rating — 2 ratings
— published 2011 —
5 editions
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Visual worlds of modern Bengal: Selections from the Documentation Archive of the Centre for Studies in Social Sciences, Calcutta : part I paintings, ... part II photography (19 March-3 April 2002)
by
Tapati Guha-Thakurta
,
Centre for Studies in Social Sciences, Documentation Archive Staff
(Contribution by)
,
Seagull Arts and Media Resource Centre, Calcutta Staff
(Contribution by)
it was amazing
5.00 avg rating — 1 rating
— published 2002 —
2 editions
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How Secular is Art?
by
Tapati Guha-Thakurta
(editor)
,
Vazira Zamindar
(Editor)
it was amazing
5.00 avg rating — 1 rating
— published 2023 —
4 editions
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The Making of New Indian Art: Artists, Aesthetics and Nationalism in Bengal, <i>c.</i>1850-1920: Artists, Aesthetics and Nationalism in Bengal, C.1850 - 1920 (Cambridge South Asian Studies) by Tapati Guha-Thakurta (2008-08-21)
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5.00 avg rating — 1 rating
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Culture and democracy: Papers from the cultural studies workshops (Enreca occasional papers series)
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— published 1999
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Archaeology as evidence: Looking back from the Ayodhya debate
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— published 1997
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Monuments, Objects, Histories: Institutions of Art in Colonial and
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