Robert Duncan
Born
in Oakland, California, The United States
January 06, 1919
Died
February 03, 1988
Genre
|
The Opening of the Field: Poetry
—
published
1960
—
15 editions
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Bending the Bow: Poetry
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published
1968
—
9 editions
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Selected Poems
by
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published
1959
—
7 editions
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Roots and Branches: Poetry
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published
1969
—
4 editions
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The H.D. Book
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published
1984
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8 editions
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Ground Work: Before the War/In the Dark (New Directions Paperbook)
by
—
published
2000
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6 editions
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Fictive Certainties
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published
1985
—
3 editions
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Letters: Poems 1953-1956
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published
2003
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3 editions
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Ground Work II: In the Dark
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published
1988
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4 editions
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|
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How to Tame a Demon: A short guide to organized intimidation stalking, electronic torture, and mind control.
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published
2014
—
3 editions
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“PRELIMINARY EXERCISE:
What does a turbine veil? a bird avail what chord?
I heard a bird whir no word, felt
a turbine shadow turning from the floods of time
electric currents the darkness stirrd,
and trees in blaze of light arose
casting shadows of speech, seductive, musical, abroad.
It was a single tree. It was a word of many trees
that filld the vale.
It was a store of the unspoken in the bird
that whirrd the air, that every occasion of the word
overawed.”
―
What does a turbine veil? a bird avail what chord?
I heard a bird whir no word, felt
a turbine shadow turning from the floods of time
electric currents the darkness stirrd,
and trees in blaze of light arose
casting shadows of speech, seductive, musical, abroad.
It was a single tree. It was a word of many trees
that filld the vale.
It was a store of the unspoken in the bird
that whirrd the air, that every occasion of the word
overawed.”
―
“In “The Chinese Written Character as a Medium for Poetry” Pound had found the inspiration of a moving syntax (as contrasted with the categorical syntax of Joyce, where parts of speech are things). “A true noun, an isolated thing,” we read in the Fenollosa essay, “does not exist in nature. Things are only the terminal points, or rather the meeting points of actions, cross-sections cut through actions, snap-shots. Neither can a pure verb, an abstract motion, be possible in nature. The eye sees noun and verb as one: things in motion, motion in things, and so the Chinese conception tends to represent them.”
― The H.D. Book
― The H.D. Book
Topics Mentioning This Author
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