Marta Randall

Marta Randall’s Followers (12)

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Marta Randall


Born
in Mexico City, Mexico
April 26, 1948

Website

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Average rating: 3.85 · 1,480 ratings · 238 reviews · 38 distinct worksSimilar authors
The Sword of Winter

3.88 avg rating — 153 ratings — published 1983 — 15 editions
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Mapping Winter (Riders Guil...

3.99 avg rating — 111 ratings — published 2019
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Collected Stories

4.01 avg rating — 86 ratings — published 2007 — 2 editions
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Islands

3.51 avg rating — 77 ratings — published 1975 — 14 editions
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Journey (Kennerin Saga #1)

3.64 avg rating — 64 ratings — published 1978 — 19 editions
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The River South (Riders Gui...

4.47 avg rating — 45 ratings — published 2019
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Dangerous Games (Kennerin S...

3.91 avg rating — 33 ratings — published 1980 — 11 editions
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A City in the North

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3.13 avg rating — 23 ratings — published 1976 — 7 editions
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Nebula Awards #19

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3.83 avg rating — 18 ratings2 editions
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The Riders Guild Omnibus (R...

4.45 avg rating — 11 ratings — published 2020
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More books by Marta Randall…
Mapping Winter The River South
(2 books)
by
4.15 avg rating — 167 ratings

Journey Dangerous Games
(2 books)
by
3.73 avg rating — 97 ratings

Quotes by Marta Randall  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“The ocean made space for me, pressing against the blackness of my assumed skin, buoying me and counter-acting the heaviness of the lead fastened around my waist. I kicked and continued my initial dive, feeling the pressures sliding back against my belly and legs, the quiet acceptance of the seas. Space and oceans have much in common, both are alien to us, not our element, both contain mysteries, dangers, sudden beauties of their own and beyond our land-bound experience. But space is a container of nothingness, a vacuum, a void of immeasurable loneliness and occasional transcendence. Water is a repository of life, and the life asserts itself as you move through the ocean; creatures large and small, beautiful or stunningle grotesque according to their custom, aquatic forests and microscopic landscapes, beings caught between the layers of life, rocks made of living creatures and living creatures made of stone, vegetable animals and animated plants and sudden deep, heart-breaking, lovely jewels that flick their trailing rainbows and dart away from you between the fronds of weeds, leaving shimmering mysteries that can be pursued, but never truly caught and comprehended.
Space does not care whether you are there or not, and the struggle to survive between worlds is a fight to avoid being sucked into a vacuum, into an ultimate nil. Implacable in its indifference, it kills you simply because it is, and crushes you with the weight of your knowledge of its indifference. But the ocean is not indifferent. It reacts and shapes itself to your presence or absence, presents its laws as implacable realities, but an instant later displays the very non-exemplar of that rule swimming calmly through the depths. Accept the strangeness and the ocean opens to you, gives you freedom and beauty, a hook into otherness. But wonder approached in fear is cancelled, disappears into threathening shiverings of distant plants, into terrifying movements of bulky darkness through the rocks.”
Marta Randall, Islands

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