Elliott J. Gorn

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Elliott J. Gorn


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Elliott J. Gorn (Ph.D. Yale University, 1983, A.B. University of California, Berkeley, 1973) is the Joseph Gagliano Professor of American Urban History and has a distinguished record of scholarship, publication and excellence in teaching and student mentorship. His books and articles embrace multiple aspects of urban and American culture, particularly the history of various social groups in American cities since 1800. Gorn’s work is interdisciplinary and intersects with numerous other fields.

His four major books examine various aspects of urban life and city cultures in the nineteenth- and twentieth-century United States, including Dillinger’s Wild Ride: The Year That Made America’s Public Enemy Number One (Oxford University Press, 2009);
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Average rating: 3.82 · 892 ratings · 116 reviews · 19 distinct worksSimilar authors
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Dillinger's Wild Ride: The ...

3.71 avg rating — 248 ratings — published 2009 — 11 editions
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The Manly Art: Bare-Knuckle...

3.80 avg rating — 156 ratings — published 1986 — 15 editions
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Let the People See: The Sto...

4.30 avg rating — 103 ratings4 editions
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A Brief History of American...

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3.68 avg rating — 47 ratings — published 1993 — 7 editions
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Constructing the American P...

3.36 avg rating — 28 ratings — published 1991 — 17 editions
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Constructing the American P...

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3.58 avg rating — 26 ratings — published 2004 — 11 editions
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The McGuffey Readers: Selec...

3.78 avg rating — 9 ratings — published 1998 — 2 editions
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Muhammad Ali, the People's ...

really liked it 4.00 avg rating — 6 ratings — published 1995 — 4 editions
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Constructing the American P...

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it was amazing 5.00 avg rating — 1 rating — published 1995 — 3 editions
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More books by Elliott J. Gorn…
Quotes by Elliott J. Gorn  (?)
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“It was not just on the farms that the pressures of four years of failure were building. Thirteen million workers were unemployed in 1933. Industrial production that year was half of its 1929 total, according to the Federal Reserve. Gross national product also had been cut in half, Detroit produced one third the number of automobiles, and stocks had lost three quarters of their value.”
Elliott J. Gorn, Dillinger's Wild Ride: The Year That Made America's Public Enemy Number One

“Ideally, the ring was also a true democracy, in which men succeeded or failed under conditions of perfect quality of opportunity. But as a market place of violence, boxing symbolically mocked the liberal belief that atomistic competition led to social good. After all, bloodied bodies were what the ring “produced.” Spectators identified with those boxers who best represented their ethnic group, neighborhood, or trade. Personal toughness, local honor, drunken conviviality, violent display - every bout upheld these powerfully antibourgeois values. Bare-knuckle fighting was thus a transitional phenomenon, incorporating old values and new. The prize ring’s form was “modern” - achievement-oriented, meritocratic, egalitarian - but its content “premodern” - ascriptive, nonrational, hierarchical.”
Elliott J. Gorn, The Manly Art: Bare-Knuckle Prize Fighting in America

“Boxers, then, embodied a distinctly working-class version of the American dream, providing models of upward mobility within bounds acceptable to the street culture.”
Elliott J. Gorn, The Manly Art: Bare-Knuckle Prize Fighting in America

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