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Victor Zuckerkandl

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Victor Zuckerkandl


Born
in Vienna, Austria
July 02, 1896

Died
April 06, 1965

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Viktor was a Jewish-Austrian musicologist.

His doctorate was granted in 1927 from Vienna University, having earlier studied under Richard Robert. He conducted freelance throughout the decade of the 1920s. He was a critic for Berlin newspapers from 1927 to 1933 and taught theory and appreciation courses in Vienna from 1934 to 1938. He emigrated to the US in 1940, teaching at Wellesley College until 1942, when he took a job as a machinist in the war effort. From 1946 to 1948 he taught theory at The New School in New York, and joined the faculty at St. John's College, Annapolis in 1948. He remained at St. John's, teaching music as part of their Great Books program, until his retirement in 1964.

His explanations of music theory were heavily indeb
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Average rating: 3.88 · 74 ratings · 12 reviews · 10 distinct worksSimilar authors
The Sense of Music

3.66 avg rating — 44 ratings — published 1967 — 17 editions
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Sound and Symbol: Music and...

4.24 avg rating — 25 ratings — published 1956 — 3 editions
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Sound and Symbol, Volume 2:...

really liked it 4.00 avg rating — 5 ratings — published 1973 — 2 editions
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Zuckerlandl: Sound & Symbol...

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Sound and Symbol, Volume 1:...

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Experience of music and - k...

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Man the musician;: Sound an...

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Man the Musician (Bollingen...

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SOUND AND SYMBOL. MUSIC AND...

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Sound and symbol: Music and...

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Quotes by Victor Zuckerkandl  (?)
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“Strangely enough, a few people would—namely, the deaf. That deaf people are capable of enjoying music seems, at first thought, a nonsensical assertion. Yet the fact has been established beyond any doubt. The musical enjoyment of the deaf person can have only one source: an unusually highly developed sensitivity to vibration, which permits him to feel air vibrations as such. We know, from the results of other investigations, that it is possible to translate tone sensations into sensations of vibrations. If we lightly touch vibrating tuning forks, we not only feel difference in tone as difference in vibration; we also feel, from the relation between the vibrations, whether two tones are more or less in harmony with each other—exactly as”
Victor Zuckerkandl, Sound and Symbol, Volume 1: Music and the External World