William L. O'Neill

“Large-scale enthusiasm for folk music began in 1958 when the Kingston Trio recorded a song, “Tom Dooley,” that sold two million records. This opened the way for less slickly commercial performers. Some, like Pete Seeger, who had been singing since the depression, were veteran performers. Others, like Joan Baez, were newcomers. It was conventional for folk songs to tell a story. Hence the idiom had always lent itself to propaganda. Seeger possessed an enormous repertoire of message songs that had gotten him blacklisted by the mass media years before. Joan Baez cared more for the message than the music, and after a few years devoted herself mainly to peace work.”
― William L. O'Neill, Dawning of the Counter-culture: The 1960s

“Bob Dylan was different. Where most folk singers were either clean-cut or homey looking, Dylan had wild long hair. He resembled a poor white dropout of questionable morals. His songs were hard-driving, powerful, intense. It was hard to be neutral about them. “The Times They Are a-Changing” was perhaps the first song to exploit the generation gap. Dylan’s life was as controversial as his ideology.”
― William L. O'Neill, Dawning of the Counter-culture: The 1960s