Elizabeth Hess

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Elizabeth Hess


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Elizabeth Hess is a journalist who continues to write about animals. Her articles have appeared in the Village Voice, New York magazine, the New York Observer, the London Telegraph, the Bark, Art in America, Art News, Artforum and many other publications. She is the winner of a Genesis Award (1998) for an investigative article on New York City’s animal control program, which appeared in New York magazine. Along with Nim Chimpsky, her books on animals include Lost and Found: Dogs, Cats and Everyday Heroes at a Country Animal Shelter. Hess is currently writing a social history of the American Pit Bull Terrier.

Average rating: 3.91 · 1,204 ratings · 163 reviews · 8 distinct worksSimilar authors
Nim Chimpsky: The Chimp Who...

3.80 avg rating — 775 ratings — published 2008 — 14 editions
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Lost and Found: Dogs, Cats,...

4.12 avg rating — 426 ratings — published 1998 — 6 editions
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Skyscraper

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Re-Making Love: The Feminiz...

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Re-Making Love: The Feminza...

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“Lucy preferred gin and tonics during the summer and switched over to whiskey sours in the winter. At dinner, a sit-down affair with the family, Lucy drank whatever the Temerlins drank, including expensive French wines. "She never gets obnoxious, even when smashed to the brink of unconsciousness," wrote Maurice, revealing more about the chimp's alcoholism than perhaps he intended. At one point, he tried to wean Lucy off the good stuff and onto Boone's Farm apple wine. Assuming she would delight in the fruity swill, he purchased a case and filled her glass one night at dinner. Lucy took a sip of the apple wine, noticed her parents were drinking something else, and put her glass down. She then graabbed Maurice's glass of Chablis and polished it off. She finished Jane's next. Not another sip of Boone's farm ever touched her lips.”
Elizabeth Hess, Nim Chimpsky: The Chimp Who Would Be Human

“Wambach's concerns raised questions about the impact that deaf signers could have on Project Nim, and perhaps inadvertently about how Terrace's study might compare with the work done by the Gardners in Nevada, who had expressly designed their experiments to include deaf signers. Simply having Falitz sign at the weekly meetings and interpret for Wambach in the discussions brought a new dimension to their work. Wambach was not particularly critical of Terrace, who was older and far more established than she, but she wanted the staff to have a better understanding of the world of deaf speakers—those who used ASL because they needed a language.
Thanks to Wambach, the chimp project began attracting deaf volunteers (including one who is remembered for having love and hate tattooed on his knuckles), who formed a small subculture within Terrace's staff. In an attempt to bridge these two worlds, one night the deaf volunteers arranged to plug up the ears of the hearing staff and take them out to a restaurant for dinner. They were instructed to communicate exclusively in ASL from the moment the plugs were placed in their ears on the way to the restaurant, during the meal, and all the way back to Delafield. The hearing group found the experience to be a terrible struggle. But what made an indelible impression on Johnson was the way that everybody in the restaurant spoke really slowly and loudly to them, treating them as if they were all mentally incapacitated.”
Elizabeth Hess, Nim Chimpsky: The Chimp Who Would Be Human

“One afternoon Washoe used ASL to ask him his name. Then she made up a sign for Bob: the index and middle fingers rubbed along the right eyebrow. Ingersoll liked it and taught the younger chimps to sign his name the same way.”
Elizabeth Hess, Nim Chimpsky: The Chimp Who Would Be Human

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