Robert Hewison

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Robert Hewison


Born
June 02, 1943


Average rating: 3.73 · 211 ratings · 24 reviews · 45 distinct worksSimilar authors
Monty Python: The Case Against

3.94 avg rating — 48 ratings — published 1981 — 4 editions
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Cultural Capital: The Rise ...

3.63 avg rating — 43 ratings — published 2014 — 6 editions
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The heritage industry: Brit...

3.69 avg rating — 13 ratings — published 1987
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John Ruskin

3.07 avg rating — 14 ratings — published 1976 — 7 editions
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The Cultural Leadership Han...

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3.60 avg rating — 10 ratings — published 2011 — 11 editions
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Footlights!: A hundred year...

2.82 avg rating — 11 ratings — published 1983 — 3 editions
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Under Siege: Literary Life ...

3.71 avg rating — 7 ratings — published 1977 — 10 editions
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John Byrne: Art and Life

4.60 avg rating — 5 ratings — published 2011 — 2 editions
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In Anger: Culture in the Co...

really liked it 4.00 avg rating — 4 ratings — published 1981 — 3 editions
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Ruskin, Turner, and the Pre...

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3.50 avg rating — 4 ratings — published 2000
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Quotes by Robert Hewison  (?)
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“Jowell fell back on the same justification for funding the arts that the first chairman of the Arts Council, John Maynard Keynes, had deployed in 1945. Art was something produced by people with special skills, who set their own standards of excellence; they needed to be supported to do this, and the audience needed to be encouraged to appreciate this excellence, by being given subsidised access to it. And for all of Jowell’s attempts to transcend instrumentalism, the purpose of culture continued to be to help the government ‘to transform our society into a place of justice, talent and ambition where individuals can fulfil their true potential’.22”
Robert Hewison, Cultural Capital: The Rise and Fall of Creative Britain

“After leaving the Arts Council in 2009, he pointed out that, in the official portraits of past Council chairmen, John Maynard Keynes was the only one smiling. That was because Keynes died before ever having to chair a Council meeting.25”
Robert Hewison, Cultural Capital: The Rise and Fall of Creative Britain

“Cultural capital is a form of wealth that is determined by its value in use, not its value in exchange. Its value increases in proportion to its abundance, not its scarcity. It is enjoyed by individuals, but it is a mutual creation that uses the resources of shared traditions and the collective imagination to generate a public, not a private, good. Cultural capitalism seeks to privatize this shared wealth, absorbing it into the circulation of commodities, and putting it to instrumental use. Contemporary”
Robert Hewison, Cultural Capital: The Rise and Fall of Creative Britain



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