Manohla Dargis

“As I watched Abdellatif Kechiche’s “Mektoub, My Love: Intermezzo,” I kept wondering how it would be received by the women on the main jury, including the directors Kelly Reichardt and Alice Rohrwacher. What would they make of the festival giving one of the prestigious 21 slots in the main competition to this three-and-a-half hour ode to the female rear end? In 2013, Kechiche won the Palme d’Or for “Blue Is the Warmest Color,” sharing the prize with its stars, Léa Seydoux and Adèle Exarchopoulos. It was clear then that he had a thing for women’s posteriors, a fixation that has reached its nadir in this epic of jittering, bopping butt.”
― Manohla Dargis