Murray Pomerance

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Murray Pomerance



Murray Pomerance is a Canadian film scholar, author, and professor who teaches in the Department of Sociology at Ryerson University and in the joint program in communication and culture at Ryerson University and York University. He has written extensively on film, cinematic experience, and performance. Most recently he authored The Eyes Have It: Cinema and the Reality Effect, Tomorrow, Alfred Hitchcock's America, Michelangelo Red Antonioni Blue: Eight Reflections on Cinema and Edith Valmaine and is a co-editor of Hollywood's Chosen People: The Jewish Experience in American Cinema (Wayne State University Press, 2012). Pomerance is the editor and co-editor of more than a dozen books and the editor of several book series on film at Rutgers Uni ...more

Average rating: 3.73 · 337 ratings · 37 reviews · 90 distinct worksSimilar authors
American Cinema of the 1950...

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4.07 avg rating — 15 ratings — published 2005 — 8 editions
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Johnny Depp Starts Here

3.75 avg rating — 16 ratings — published 2005 — 6 editions
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Marnie

3.11 avg rating — 19 ratings — published 2014 — 5 editions
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Alfred Hitchcock's America

4.31 avg rating — 13 ratings — published 2013 — 8 editions
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Michelangelo Red Antonioni ...

3.75 avg rating — 12 ratings — published 2011 — 5 editions
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Enfant Terrible! Jerry Lewi...

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3.90 avg rating — 10 ratings — published 2002 — 6 editions
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Bad: Infamy, Darkness, Evil...

3.27 avg rating — 11 ratings — published 2003 — 2 editions
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Popping Culture (5th Edition)

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3.60 avg rating — 10 ratings — published 2008 — 6 editions
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Thinking in the Dark: Cinem...

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4.13 avg rating — 8 ratings — published 2015 — 4 editions
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The Man Who Knew Too Much

3.10 avg rating — 10 ratings — published 2016 — 2 editions
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“It's really quite a beautiful setting for an estate, in a woods of towering aspen trees near a field of high soft blue grass where pink cows sleep.”
Murray Pomerance, Magia d'Amore



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