Fred Ho’s Followers (2)

Fred Ho

Born

in Palo Alto, California, The United States

August 10, 1957

Died

April 12, 2014

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Fred Ho (Chinese: 侯维翰; pinyin: Hóu Wéihàn; born Fred Wei-han Houn; August 10, 1957 – April 12, 2014) was an American jazz baritone saxophonist, composer, bandleader, playwright, writer and Marxist social activist. In 1988, he changed his surname to "Ho".

He was born in Palo Alto, California, and moved at the age of six with his family to Massachusetts.

While he is sometimes associated with the Asian-American jazz or avant-garde jazz movements, Ho himself was opposed to the use of term "jazz" to describe traditional African-American music because the word "jazz" was used pejoratively by white Americans to denigrate the music of African Americans.

Ho arduously sought to define what constitutes Asian-American jazz: “What makes Chinese American mu Fred Ho (Chinese: 侯维翰; pinyin: Hóu Wéihàn; born Fred Wei-han Houn; August 10, 1957 – April 12, 2014) was an American jazz baritone saxophonist, composer, bandleader, playwright, writer and Marxist social activist. In 1988, he changed his surname to "Ho".

He was born in Palo Alto, California, and moved at the age of six with his family to Massachusetts.

While he is sometimes associated with the Asian-American jazz or avant-garde jazz movements, Ho himself was opposed to the use of term "jazz" to describe traditional African-American music because the word "jazz" was used pejoratively by white Americans to denigrate the music of African Americans.

Ho arduously sought to define what constitutes Asian-American jazz: “What makes Chinese American music Chinese American? What would comprise an Asian American musical content and form that could transform American music in general rather than simply be subsumed in one or another American musical genre such as ‘jazz’?” He polemicized against, rightfully, “the white assimilationist notion of the petty bourgeois Asian American artist that anything by an Asian American artist makes it Asian American,” pointing out that, for instance, “Yo-Yo Ma is a cellist who happens to be Chinese/Asian American, not a Chinese/Asian American musician.”

In his role as an activist, many of his works fuse the melodies of indigenous and traditional Asian and African forms of music. He envisions his music to be a real synthesis: "In opposing cultural imperialism, a genuine multicultural synthesis embodies revolutionary internationalism in music: rather than co-opting different cultures, musicians and composers achieve revolutionary transformation predicated upon anti-imperialism in terms of both musical respect and integrity as well as a practical political economic commitment to equality between peoples."

Ho also co-edited four books: Sounding Off! Music as Subversion/Resistance/Revolution (1996), Legacy to Liberation: Politics and Culture of Revolutionary Asian Pacific America (2001), Afro Asia: Revolutionary Political and Cultural Connections between African Americans and Asian Americans (2008), and Maroon the Implacable: The Collected Writings of Russell Maroon Shoatz (2013). Ho's contributions to the Asian-American empowerment movement are varied and many. He is credited with co-founding several Asian-American civic groups such as the East Coast Asian Students Union (while a student at Harvard), the Asian American Arts Alliance in New York City, the Asian American Resource Center in Boston and the Asian Improv record label.

Of Chinese descent, Ho specialized in the combining sometimes asynchronous tunes and melodies of various musical traditions, creating what many have described as both brilliant and chaotic sounds. He was the first to combine Chinese opera with traditional African-American music. He led the Afro Asian Music Ensemble (founded in 1982) and the Monkey Orchestra (founded in 1980). He lived in Greenpoint, Brooklyn, New York.

Ho held a B.A. degree in sociology from Harvard University (1979). He recorded for the Koch Jazz and Soul Note labels. Some of his final works include Deadly She-Wolf Assassin at Armageddon, which premiered in Philadelphia, Pennsylvania, in June 2006, and Voice of the Dragon I, II, and III. As Ho was a prolific composer, writer, playwright, his list of works grew continually. Some of his first CDs include Monkey I, Monkey II, The Underground Railroad to My Heart (Soul Note), We Refuse To Be Used And Abused, and Tomorrow is Now!

In his 2000 book, Legacy to Liberation, Ho, recapitulating an aesthetic vision first presented in 1985, wrote:

"Revolutionary art must ... inspire a spirit of defiance, or class and national pride to resist domination and backward ideology. Revolutionary art must energize and humanize; not pacify, confuse and desensitize...

"I am adamantly against one-dimensional, so called "correct" proscriptive forms that p ...more

Combine Editions
Fred Ho’s books

Average rating: 4.06 · 144 ratings · 21 reviews · 12 distinct works

	Maroon the Implacable: The Collected Writings of Russell Maroon Shoatz by Russell Maroon Shoatz, Chuck D. (Foreword), Matt Meyer (Afterword) 4.46 avg rating — 52 ratings — published 2013 — 7 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Afro Asia: Revolutionary Political and Cultural Connections between African Americans and Asian Americans by Fred Ho (Editor), Mao Zedong (Contributor), Kalamu ya Salaam (Contributor) 4.12 avg rating — 42 ratings — published 2008 — 4 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Legacy to Liberation: Politics and Culture of Revolutionary Asian Pacific America 3.94 avg rating — 33 ratings — published 2000	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Sounding Off!: Music As Subversion/Resistance/Revolution by Ron Sakolsky (editor), Fred Ho (Editor) really liked it 4.00 avg rating — 17 ratings — published 1995 — 3 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Wicked Theory, Naked Practice: A Fred Ho Reader by Fred Ho, Robin D.G. Kelley (Foreword), Bill V. Mullen (Afterword) 3.86 avg rating — 7 ratings — published 2009 — 5 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Diary of a Radical Cancer Warrior: Fighting Cancer and Capitalism at the Cellular Level by Fred Ho, Cynthia G. Franklin (Introduction), Magdalena Gómez (Foreword) 3.17 avg rating — 6 ratings — published 2011 — 7 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Raw Extreme Manifesto: Change Your Body, Change Your Mind, Change the World While Spending Almost Nothing! liked it 3.00 avg rating — 2 ratings — published 2012 — 6 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	A World Where Many Worlds Fit/Un Mundo Donde Caben Muchos Mundos by Fred Ho, Arabelle Clitandre (Illustrator) it was ok 2.00 avg rating — 1 rating	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Deadly She Wolf & Momma's Song by Fred Ho, Mac McGill (Illustrator) 0.00 avg rating — 0 ratings — published 2011	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	The A to Z: Characteristics and Qualities of Being a Revolutionary by Fred Ho, Quincy Saul (Illustrator), Arabelle Clitandre (Illustrator) 0.00 avg rating — 0 ratings	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars