Ania Loomba
Born
India
|
Colonialism / Postcolonialism
—
published
1998
—
38 editions
|
|
|
Shakespeare, Race, and Colonialism
—
published
2002
—
10 editions
|
|
|
South Asian Feminisms
by
—
published
2012
—
4 editions
|
|
|
Revolutionary Desires: Women, Communism, and Feminism in India
|
|
|
Postcolonial Studies and Beyond
by
—
published
2005
—
7 editions
|
|
|
Post-Colonial Shakespeares
by
—
published
1998
—
19 editions
|
|
|
Gender, Race, Renaissance Drama
—
published
1989
—
3 editions
|
|
|
Colonialism/Postcolonialism
|
|
|
Colonialism/Postcolonialism (The New Critical Idiom) 2nd (second) Edition by Loomba, Ania [2005]
|
|
|
Kolonyalizm Postkolonyalizm
|
|
“No human utterance could be seen as innocent. Any set of words could be analysed to reveal not just an individual but a historical consciousness at work.”
― Colonialism / Postcolonialism
― Colonialism / Postcolonialism
“They pointed out that huge amounts of money had been made following the murder of Roop Kanwar by those who turned the sati into a commecrial spectacle involving hundreds of thousands of people; that Roop Kanwar was an educated girl, not a simple embodiment of rural femininity (a fact that pro-sati lobbyists used to argue that it was a "free choice"); and that the leaders of the pro-sati movement "constitute a powerful regional elite" who had much to gain from constructing sati anew as emblematic of their "tradition". Thus, what was essentially a women's rights issue had been disorted into an issue of "tradition" versus "modernity", a struggle of the religious majority against an irreligious minority.”
―
―
Is this you? Let us know. If not, help out and invite Ania to Goodreads.





























