,
Jennifer Homans

Jennifer Homans’s Followers (86)

member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo

Jennifer Homans


Born
Chicago, The United States
Genre


Jennifer Homans is the Dance Critic for The New Yorker. She is the author of Mr. B: George Balanchine’s 20th Century (2022), finalist for the Pulitzer Prize and the National Book Critics Circle Award, and Apollo's Angels: A History of Ballet (2010), finalist for the National Book Critics Circle Award and among the NYT 10 Best Books of the Year.

Homans was a professional dancer and performed with the Pacific Northwest Ballet before earning a BA at Columbia University and a PhD in Modern European History at New York University, where she is now a Distinguished Scholar in Residence and the Founding Director of the Center for Ballet and the Arts.
...more

Average rating: 4.08 · 2,986 ratings · 475 reviews · 6 distinct worksSimilar authors
Apollo's Angels: A History ...

4.01 avg rating — 2,053 ratings — published 2010 — 30 editions
Rate this book
Clear rating
When the Facts Change: Essa...

4.15 avg rating — 560 ratings — published 2015 — 3 editions
Rate this book
Clear rating
Mr. B: George Balanchine's ...

4.33 avg rating — 477 ratings — published 2022 — 7 editions
Rate this book
Clear rating
9/11: Ten Years Later

by
4.60 avg rating — 5 ratings — published 2011
Rate this book
Clear rating
A celebration of India: [19...

0.00 avg rating — 0 ratings
Rate this book
Clear rating
Mr. B: George Balanchine's ...

by
0.00 avg rating — 0 ratings
Rate this book
Clear rating
More books by Jennifer Homans…
Quotes by Jennifer Homans  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“Words, moreover, can get in the way of dancing. They signal self-conscious thought, and the moment they play through a dancer's mind her concentration and the way she responds physically to music risk changing. Words can distance a dancer from the music and from her own impulses, and make her movement appear remote and flat.”
Jennifer Homans, Apollo's Angels: A History of Ballet

“Finally, after years of study and watching, I realized our teachers were not just teaching steps or imparting technical knowledge, they were giving us their culture and their tradition. “Why” was not the point and the steps were not just steps; they were living, breathing evidence of a lost (to us) past—of what their dances were like but also of what they, as artists and people, believed in.”
Jennifer Homans, Apollo's Angels: A History of Ballet

“Ballet … was a system of movement as rigorous and complex as any language. Like Latin or ancient Greek, it had rules, conjugations, declensions. Its laws, moreover, were not arbitrary; they corresponded to the laws of nature. Getting it “right” was not a matter of opinion or tastes: ballet was a hard science with demonstrable physical facts. It was also, and just as appealingly, full of emotions and the feelings that come with music and movement...If the coordination and musicality, muscular impulse and timing were exactly right, the body would take over. I could let go. For all its rules and limits, [ballet is] an escape from the self. Being free.”
Jennifer Homans, Apollo's Angels: A History of Ballet
tags: ballet



Is this you? Let us know. If not, help out and invite Jennifer to Goodreads.