Sarah E. Thompson

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Sarah E. Thompson


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Sarah E. Thompson Assistant Curator for Japanese Prints in Art of Asia, Oceania, and Africa Museum of Fine Arts, Boston

Average rating: 4.44 · 157 ratings · 27 reviews · 17 distinct worksSimilar authors
Hokusai

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4.46 avg rating — 59 ratings — published 2015 — 4 editions
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Pictures of the Floating Wo...

4.56 avg rating — 27 ratings — published 2022
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Tattoos in Japanese Prints

4.59 avg rating — 17 ratings
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Hokusai’s Lost Manga

4.47 avg rating — 15 ratings2 editions
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Utagawa Kuniyoshi: The Sixt...

4.36 avg rating — 14 ratings — published 2009 — 2 editions
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Undercurrents in the Floati...

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really liked it 4.00 avg rating — 4 ratings — published 1992 — 4 editions
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Genji: The Prince and the P...

it was amazing 5.00 avg rating — 1 rating
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JEFFREY DAHMER:THE SERIAL K...

really liked it 4.00 avg rating — 1 rating2 editions
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The Story of Jesus Box Set

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0.00 avg rating — 0 ratings
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RYAN GRANTHAM MURDER CASE::...

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“Single-sheet prints in the ukio-e style began to appear around 1680, offered by the same publishers who were producing woodblock-printed books. An efficient devision of labor allowed multiple copies to be produced at high speed, without the need of a printing press. The publisher controlled the entire process, contracting with an artist to design the images; a block cutter to carve the wooden printing blocks, one for each color; and a printer to ink and print the blocks, placing each sheet of paper face down on the inked block and rubbing the back of the sheet with a pad to transfer the ink. Each of these artisans might have apprentices or assistants who were also involved in the process.”
Sarah E. Thompson

“[Hokusai’s] most famous works — color woodblock landscape prints issued in series, beginning with Thirty-Six views of Mount Fuji — were produced within a relatively short time, in an amazing burst of creative energy that lasted from about 1830 to 1836, when he was already in his seventies.”
Sarah E. Thompson

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