Jean Rouch

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Jean Rouch


Born
in Paris, France
May 31, 1917

Died
February 18, 2004

Genre


He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema spearheaded by Richard Leacock, D.A. Pennebaker and Albert and David Maysles. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction.

He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge
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Average rating: 4.14 · 28 ratings · 1 review · 17 distinct works
Cine-Ethnography (Volume 13...

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Les hommes et les dieux du ...

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Les Songhay (Monographies e...

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Et le Blanc et le Noir sero...

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The Camera and Man

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Kaltex en Chine

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Migrations au Ghana: Gold C...

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Jean Rouch, « Saluts d’irré...

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Jean Rouch, films et photog...

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Le Niger En Pirogue

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Quotes by Jean Rouch  (?)
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“I look at the human sciences as poetic sciences in which there is no objectivity, and I see film as not being objective, and cinema verite as a cinema of lies that depends on the art of telling yourself lies. If you’re a good storyteller then the lie is more true than reality, and if you’re a bad one, the truth is worse than a half lie.”
Jean Rouch

“I don’t think there’s any border between science and art. All the fiction films I have made were always on the same subject,—a discovery of the “Other,” an exploration of difference.”
Jean Rouch