Michael Schulman

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Michael Schulman



This profile is for the acting teacher and psychologist. For the New Yorker staff writer, see Michael Schulman.

Michael Schulman, editor of Play the Scene and Great Scenes and Monologues for Actors, is an acting teacher who has taught at the prestigious Lee Strasberg Theatre Institute and the Actors Studio. He founded the British-American Acting Academy and has written and directed a number of plays for Off-Broadway theatre. He is also a psychologist and an author of books on child development.
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Average rating: 4.04 · 240 ratings · 21 reviews · 17 distinct works
Contemporary Scenes for Stu...

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3.51 avg rating — 35 ratings — published 1980 — 3 editions
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The Actor's Scenebook: Scen...

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3.78 avg rating — 32 ratings — published 1984 — 11 editions
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Great Scenes and Monologues...

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3.73 avg rating — 30 ratings — published 1998 — 6 editions
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Play the Scene: The Ultimat...

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3.52 avg rating — 23 ratings — published 2004 — 4 editions
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The Passionate Mind: Bringi...

really liked it 4.00 avg rating — 5 ratings — published 1991 — 2 editions
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Bringing Up a Moral Child

2.75 avg rating — 4 ratings — published 1985 — 5 editions
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Everything Is Going to Be Ok

liked it 3.00 avg rating — 1 rating
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Building Moral Communities:...

it was ok 2.00 avg rating — 1 rating — published 2006 — 3 editions
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Becoming Moral: A Theory of...

0.00 avg rating — 0 ratings — published 2007
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Schools As Moral Communitie...

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Quotes by Michael Schulman  (?)
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“Pretending is not just play. Pretending is imagined possibility. Pretending or acting is a very valuable life skill, and we all do it all the time. We don’t want to be caught doing it, but nevertheless it’s part of the adaptation of our species. We change who we are to fit the exigencies of our time.”
Michael Schulman, Her Again: Becoming Meryl Streep

“TIME MOVED DIFFERENTLY for John Cazale. Everything went slower. He wasn’t dim, not by a long shot. But he was meticulous, sometimes maddeningly so. Even simple tasks could take hours. All of his friends knew about the slowness. It would drive them crazy. His”
Michael Schulman, Her Again: Becoming Meryl Streep

“John Cazale happens once in a lifetime. He was an invention, a small perfection. It is no wonder his friends feel such anger upon waking from their sleep to discover that Cazale sleeps on with kings and counselors, with Booth and Kean, with Jimmy Dean, with Bernhardt, Guitry, and Duse, with Stanislavsky, with Groucho, Benny, and Allen. He will make fast friends in his new place. He is easy to love. John Cazale’s body betrayed him. His spirit will not. His whole life plays and replays as film, in our picture houses, in”
Michael Schulman, Her Again: Becoming Meryl Streep

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