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Peter Kalkavage

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Peter Kalkavage


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Peter Kalkavage was a longtime tutor at St. John’s College in Annapolis, Maryland, where he taught from 1977 until 2024 and served as director of the St. John’s Chorus. A scholar of philosophy and music, he authored The Logic of Desire: An Introduction to Hegel’s Phenomenology of Spirit and contributed to acclaimed translations of Plato’s Timaeus, Phaedo, Statesman, and Symposium for the Focus Philosophical Library. He also wrote On the Measurement of Tones and Elements: A Workbook for Freshman Music, both widely used in the college’s music program. ...more

Average rating: 4.14 · 523 ratings · 72 reviews · 13 distinct worksSimilar authors
Symposium or Drinking Party

4.09 avg rating — 89,637 ratings — published -380 — 35 editions
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Phaedo

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4.07 avg rating — 16,422 ratings — published -380 — 25 editions
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Plato: Meno

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3.93 avg rating — 10,312 ratings — published -386 — 590 editions
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Sophist: The Professor of W...

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4.06 avg rating — 3,267 ratings — published -360 — 6 editions
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Timaeus: Translation. Gloss...

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3.85 avg rating — 3,342 ratings — published -360 — 459 editions
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The Logic of Desire: An Int...

4.55 avg rating — 89 ratings — published 2007
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The Envisioned Life: Essays...

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4.67 avg rating — 6 ratings — published 2008 — 4 editions
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Music and the Idea of a World

3.75 avg rating — 4 ratings
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Elements: A Workbook for Fr...

really liked it 4.00 avg rating — 2 ratings — published 1989
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On the Measurement of Tones

liked it 3.00 avg rating — 2 ratings2 editions
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Quotes by Peter Kalkavage  (?)
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“Music does not merely sound: It enchants. To listen to music is to give our souls to its power. We do not merely hear and feel but are held and possessed.”
Peter Kalkavage

“If architecture, as some have said, is frozen music, then music may rightly be called "flowing architecture." If time indeed stores itself, then time is a constructive rather than destructive force, and a melody is a building in flux, a structured coming-to-be.”
Peter Kalkavage, Music and the Idea of a World

“It is not difficult to imagine that music, like Dante’s Beatrice, is one of the ways in which grace operates through beauty—that music, like Beatrice, is a mediator.”
Peter Kalkavage



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