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Michael Andor Brodeur

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Michael Andor Brodeur

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January 2024


Michael Andor Brodeur has been the classical music critic at the Washington Post since 2020. Previously, he held editorial and staff-writer positions at the Boston Globe and Boston’s Weekly Dig. His essays, humor, and criticism have also appeared in Nylon, Thrillist, Entrepreneur, Medium, McSweeney’s Internet Tendency and other publications. He has also released 5 music albums under different monikers, most recently writing and performing electronic music under the name New Dad.

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Average rating: 3.77 · 439 ratings · 87 reviews · 1 distinct work • Similar authors
Swole: The Making of Men an...

3.77 avg rating — 439 ratings — 4 editions
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“Lifting weights has trained me to understand my body not just as a consensus of cells, but as a critical mass—a medium where meaning is made. It's also helped me come to understand my own unsteady relationship with masculinity, not because I'm some big strongman in foxy Lycra pants who hogs the squat rack (though probably all of that too) but because it's breaking down my existing ideas of what manhood means and forcing me to rebuild them in my own image. Generations of American men have historically been instructed, through suggestion, inference, risk, reward, and punishment, not to express themselves, especially when that means sharing our feelings.”
― Michael Andor Brodeur, Swole: The Making of Men and the Meaning of Muscle

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