Charlie Canning

“The power in any society is with those who get to impose the fantasy. It is no longer, as it was for centuries throughout Europe, the church that imposes its fantasy on the populace, nor is it the totalitarian superstate that imposes the fantasy, as it did for 12 years in Nazi Germany and for 69 years in the Soviet Union. Now the fantasy that prevails is the all-consuming, voraciously consumed popular culture, seemingly spawned by, of all things, freedom. The young especially live according to the beliefs that are thought up for them by the society's most unthinking people and by businesses least impeded by innocent ends. Ingeniously as their parents and teachers may attempt to protect the young from being drawn, to their detriment, into the moronic amusement park that is now universal, the preponderance of the power is not with them.”
― Philip Roth

“Empirical logic achieved a signal triumph in the Old Testament, where survivals from the early proto-logical stage are very few and far between. With it man reached a point where his best judgments about his relation to God, his fellow men and the world, were in most respects not appreciably inferior to ours. In fundamental ethical and spiritual matters we have not progressed at all beyond the empirico-logical world of the Old Testament or the unrivalled fusion of proto-logical intuition, 64 [see Coomaraswamy, Review of Religion, 1942, p. 138, paragraph 3] empirico-logical wisdom and logical deduction which we find in the New Testament. In fact a very large section of modern religion, literature and art actually represents a pronounced retrogression when compared with the Old Testament. For example, astrology, spiritism and kindred divagations, which have become religion to tens of millions of Europeans and Americans, are only the outgrowth of proto-logical interpretation of nature, fed by empirico-logical data and covered with a spurious shell of Aristotelian logic and scientific induction. Plastic and graphic art has swung violently away from logical perspective and perceptual accuracy, and has plunged into primordial depths of conceptual drawing and intuitive imagery. While it cannot be denied that this swing from classical art to conceptual and impressionistic art has yielded some valuable results, it is also true that it represents a very extreme retrogression into the proto-logical past. Much of the poetry, drama and fiction which has been written during the past half-century is also a reversion from classical and logical standards of morality and beauty into primitive savagery or pathological abnormality. Some of it has reached such paralogical levels of sophistication that it has lost all power to furnish any standards at all to a generation which has deliberately tried to abandon its entire heritage from the past. All systematic attempts to discredit inherited sexual morality, to substitute dream-states for reflection, and to replace logical writing by jargon, are retreats into the jungle from which man emerged through long and painful millennia of disillusionment. With the same brains and affective reactions as those which our ancestors possessed two thousand years ago, increasing sophistication has not been able to teach us any sounder fundamental principles of life than were known at that time. . . . Unless we can continue along the pathway of personal morality and spiritual growth which was marked out for civilized man by the founders of the Judaeo-Christian tradition, more than two thousand years ago, our superior skill in modifying and even in transforming the material world about us can lead only to repeated disasters, each more terrible than its predecessor. (Archaeology and the Religion of Israel, 5th Ed. New York: Doubleday Anchor, 31-33.)”
― William F. Albright

“There is ... a contemporary trend to make a sort of 'common intellect' out of society and forbid man his own independent access to truth. All is culture-clouded, and society as the climate of thought is the cause of our thoughts. But in Thomas's theory a man can transcend his environment just as he can transcend the material conditions surrounding any essence; material conditions will be his point of departure, and yet arrival at the truth or being of whatever he is studying is not ruled out. As an unlimited power, man's intellect opens man to the infinite, although only love reaches it. The relation of each man to transcendent existence in his knowing and living experience - this is the ground of objectivity.”
― Mary T. Clark, An Aquinas Reader: Selections from the Writings of Thomas Aquinas

“Role of “sacredscapes” in Indian culture

The key is a small thing, really, but its power is great. The key is genius loci. To every place, there is a key – direct communication with the inherent meanings and messages of the place. When the key is lost, the place is forgotten. Mythologies, folk tales, continuity of cultural traditions, the quest to understand what is beyond – all are the facets of crossings. In Indian culture the crossings are the tirthas (‘sacredscapes’) where one transforms oneself from the physical to metaphysical. To cross is to be transformed. On the ladder to cross from one side – physical – to the other end – metaphysical – the sacred places serve as rungs. The setting of the proper ladder relies on a secret principle – that the vertical can be attained only by strict attention to the horizontal. The ladder provides the way of ascent through care and deeper quest. A spiritual walk is the ladder, sacred ways are the steps, and human understanding is the destination.”
― Singh, R. P. B.