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Juliet Shields

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Juliet Shields


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Dr. Juliet Shields is Professor of English and Khan Chair in the Humanities at Southern Methodist University. She works on the intersections between nationality, gender, and race in eighteenth- and nineteenth-century British and American literature. She is the author of Nation and Migration: The Making of British Atlantic Literature, 1765 - 1835 (2016), and Mary Prince, Slavery and Print Culture in the Anglophone Atlantic World (2021). She also edited Christian Isobel Johnstone's Clan-Albin: A National Tale (1815) for the Chawton House Library of Women's Novels (2022). ...more

Average rating: 4.4 · 5 ratings · 1 review · 14 distinct works
Clan-Albin: A National Tale

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3.33 avg rating — 12 ratings — published 1815 — 38 editions
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Sentimental Literature and ...

4.50 avg rating — 2 ratings — published 2010 — 7 editions
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Studies in Scottish Literat...

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it was amazing 5.00 avg rating — 1 rating — published 2019
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Nation and Migration: The M...

really liked it 4.00 avg rating — 1 rating — published 2016 — 2 editions
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The International Companion...

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really liked it 4.00 avg rating — 1 rating — published 2025
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Scottish Women's Writing in...

0.00 avg rating — 0 ratings — published 2021 — 3 editions
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Mary Prince, Slavery, and P...

0.00 avg rating — 0 ratings — published 2021 — 2 editions
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The Eighteenth-Century Nove...

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0.00 avg rating — 0 ratings — published 2009 — 4 editions
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Representing Place in Briti...

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0.00 avg rating — 0 ratings — published 2013 — 9 editions
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Studies in Scottish Literat...

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0.00 avg rating — 0 ratings — published 2017
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“The cause of the protagonist's spiritual crisis in these novels originates in the unloving and unlovely severity of various forms of Presbyterianism. In A Son of the Soil, the Church of Scotland's harshly judgemental and emotionally sterile tendencies are displayed in parishioners' right right to object to 'sitting under' a minister who does not meet their approval. During a minister's probationary period the congregation can object 'to his looks, or his manners, or his doctrines, or the colour of his hair'.”
Juliet Shields, The International Companion to Nineteenth-Century Scottish Literature



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