Suzanne Gilad
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Copyediting and Proofreading For Dummies
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published
2007
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11 editions
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Paid to Proofread
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published
2007
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The Real Estate Millionaire: How to Invest in Rental Markets and Make a Fortune
by
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published
2005
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5 editions
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“share your address with me and i shall send you sound remedies, prescripts for serenity, potions for city scribes plagued by commotion, pinned down in antipodes, pining for butchery when all that she really needs are soothing soliloquies, background amenities to set her swift mind at ease.”
― Copyediting and Proofreading For Dummies
― Copyediting and Proofreading For Dummies
“Here’s what you do during a light (or baseline) edit: Correct inconsistencies in the mechanics of the body text — spelling, capitalization, punctuation, abbreviations, use of hyphenation and dashes, font and font sizes, and everything else your eyes take in. Correct inconsistencies in the other parts of the document — footnotes and endnotes; tables of content and page numbers; placement of page numbers, headers, and footers; and charts, graphs, and maps. Correct grammar and usage errors, but do not change anything that is not an outright error. Flag awkward or confusing language, but do not revise it. Bypass benign areas of wordiness and jargon, but query unusual words that may not be accessible to the audience. Flag information that seems incorrect or is not factual. Flag information that may require permission for use, as well as statements or language that may expose the author or publisher to lawsuits. During a heavy edit — the kind that may require a backhoe — you do the following: Correct all errors and inconsistencies in grammar, syntax, and usage. Rewrite areas of wordiness or confusing or awkward construction. Flag and query inappropriate or overused figures of speech, jargon, or sentiment. Check and revise information that seems incorrect or is not factual. Query and suggest changes or fix discrepancies and conflicts in content (or, if fiction, in plot, setting, and character details). Flag and suggest changes in language that promotes bias or stereotyping or is otherwise insensitive to a particular section of the readership. For fiction, query the intent of bias-heavy language if it is difficult to discern a reason for the language in the context of the piece. Suggest changes to the layout or order of information for clarity or a more logical progression of an argument.”
― Copyediting and Proofreading For Dummies
― Copyediting and Proofreading For Dummies
Topics Mentioning This Author
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| Cozy Mysteries : Naomi's Reading List & Challenges | 191 | 686 | Jan 01, 2022 01:02AM |
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