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Simonetta Falasca-Zamponi

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Simonetta Falasca-Zamponi’s books

Average rating: 3.94 · 78 ratings · 15 reviews · 5 distinct works • Similar authors

	Fascist Spectacle: The Aesthetics of Power in Mussolini's Italy 3.97 avg rating — 68 ratings — published 1997 — 11 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Waste and Consumption (Framing 21st Century Social Issues) 3.67 avg rating — 9 ratings — published 2010 — 9 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Rethinking the Political: The Sacred, Aesthetic Politics, and the Collège de Sociologie (McGill-Queen’s Studies in the Hist of Id) (Volume 55) 3.50 avg rating — 2 ratings — published 2011 — 4 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	La Sociologie sacrée du monde contemporain by Georges Bataille, Simonetta Falasca-Zamponi (Introduction, editor) 3.50 avg rating — 2 ratings — published 2004 — 3 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Fascism, the War, and Structures of Feeling in Italy, 1943-1945: Tales in Chiaroscuro 0.00 avg rating — 0 ratings — 2 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars

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Quotes by Simonetta Falasca-Zamponi (?)

“religious rituals cast an aura of sacrality on bread by putting it in liminal contact with the celestial sphere. The meshing of the sacred with the profane endowed bread with a plethora of superimposed, ambivalent, and overcharged meanings, which the regime fully exploited.”
― Simonetta Falasca-Zamponi, Fascist Spectacle: The Aesthetics of Power in Mussolini's Italy

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“Guillermo O'Donnell argues that one of the first actions undertaken by repressive and authoritarian regimes is the suppression of "horizontal voices"-that is, the possibility of "addressing others or others ... addressing me, claiming that we share some relevant characteristics."9 In the process of addressing others, we recognize ourselves as a "we," and the shaping of a collective identity takes place.”
― Simonetta Falasca-Zamponi, Fascist Spectacle: The Aesthetics of Power in Mussolini's Italy

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“Injunction 93 of March 22, 1933, discussed the young fascist's summer outfit; youth were allowed to wear the black shirt without the tie and with the open collar, but they were absolutely forbidden to roll up the sleeves.60 On August 7, 1933, Starace reiterated that a fluttering tie was not allowed. On May 23, 1934, he "absolutely forbade" wearing the black shirt with a starched collar.”
― Simonetta Falasca-Zamponi, Fascist Spectacle: The Aesthetics of Power in Mussolini's Italy

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