Sign in with Facebook
David Peisner’s Followers
None yet.
David Peisner
More books by David Peisner…
“Richie Tienken, Comic Strip owner and Eddie Murphy’s co-manager at the time, wasn’t that amused by his client’s new friends.
Tienken recalled Keenen and Arsenio, in particular, jostling for Eddie’s affections.
“Keenen and Arsenio didn’t get along,” he says. “It was like watching two broads try to pick up a guy.”
― Homey Don't Play That!: The Story of In Living Color and the Black Comedy Revolution
Tienken recalled Keenen and Arsenio, in particular, jostling for Eddie’s affections.
“Keenen and Arsenio didn’t get along,” he says. “It was like watching two broads try to pick up a guy.”
― Homey Don't Play That!: The Story of In Living Color and the Black Comedy Revolution
“Eddie Murphy: Raw (1987) was released in theaters — unheard of for a standup concert film — and grossed over $50M. Behind the scenes there was some grumbling over Keenen’s credits as both a writer and producer. Murphy's then-manager, Richie Tienken, insists Keenen’s work on Raw was negligible.
“Eddie was working on his routine and was having a problem with a line,” says Tienken. “He talked to Keenen about it and Keenen basically said, ‘Well, why don’t you say it this way?’ And it worked. I said to Eddie, ‘That was really nice of Keenen to help you with that.’ And he said, ‘Yeah, he asked me for a co-writing credit.’ I was like, ‘What? It was one fucking line. This guy’s your friend.’ ” Tienken points out that comedians are always helping each other out with bits. He’s worked with comics such as Jerry Seinfeld, Paul Reiser, and Ray Romano. “They all helped each other. They didn’t ask for anything. I think I even went to Keenen and said, ‘You’ve got some pair of fucking balls asking him for that.’ ”
Chris Rock, who was just getting to know Eddie and Keenen around this time, recalled watching Eddie prepare for the shows on his Raw tour, batting around material with friends. Occasionally, Rock and others might help “tag” a joke. “I might have got a line in,” Rock told Marc Maron during a 2011 interview, referring to Raw. “That’s what friends are for, for tags. It’s only when they’re not your friends when they go, ‘I should get a writing credit for that tag.’ ”
Eddie and Keenen had a falling-out over all this, and one person close to the situation at the time says Arsenio Hall called Keenen afterward and said something to the effect of “You’re out and I’m in.” For his part, though, Eddie never publicly complained about Keenen’s contributions — or lack thereof — to Raw.”
― Homey Don't Play That!: The Story of In Living Color and the Black Comedy Revolution
“Eddie was working on his routine and was having a problem with a line,” says Tienken. “He talked to Keenen about it and Keenen basically said, ‘Well, why don’t you say it this way?’ And it worked. I said to Eddie, ‘That was really nice of Keenen to help you with that.’ And he said, ‘Yeah, he asked me for a co-writing credit.’ I was like, ‘What? It was one fucking line. This guy’s your friend.’ ” Tienken points out that comedians are always helping each other out with bits. He’s worked with comics such as Jerry Seinfeld, Paul Reiser, and Ray Romano. “They all helped each other. They didn’t ask for anything. I think I even went to Keenen and said, ‘You’ve got some pair of fucking balls asking him for that.’ ”
Chris Rock, who was just getting to know Eddie and Keenen around this time, recalled watching Eddie prepare for the shows on his Raw tour, batting around material with friends. Occasionally, Rock and others might help “tag” a joke. “I might have got a line in,” Rock told Marc Maron during a 2011 interview, referring to Raw. “That’s what friends are for, for tags. It’s only when they’re not your friends when they go, ‘I should get a writing credit for that tag.’ ”
Eddie and Keenen had a falling-out over all this, and one person close to the situation at the time says Arsenio Hall called Keenen afterward and said something to the effect of “You’re out and I’m in.” For his part, though, Eddie never publicly complained about Keenen’s contributions — or lack thereof — to Raw.”
― Homey Don't Play That!: The Story of In Living Color and the Black Comedy Revolution
“
― Homey Don't Play That!: The Story of In Living Color and the Black Comedy Revolution
During the first month the Comedy Act Theatre was open, Damon Wayans and Robert Townsend came in together. Club emcee, Robin Harris brought Damon onstage to do a set, and Damon made the mistake of dissing Harris in his own house, asking the audience, “Doesn’t that guy look like a black, ugly Eddie Murphy?” Harris heard the comment and returned to the stage.
“They played ‘the Dozens’ and Robin destroyed Damon,” says club owner, Michael Williams. “Damon just stepped into something he couldn’t get out of. By the time Robin was finished with him, he was dumbfounded. He didn’t know what to do but stand there, hold the mic, and listen.”
”― Homey Don't Play That!: The Story of In Living Color and the Black Comedy Revolution
Is this you? Let us know. If not, help out and invite David to Goodreads.
