Tricia Rose

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Tricia Rose


Born
New York City
Website

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She graduated from Yale University where she received a BA in Sociology and then received her Ph.D. from Brown University in the field of American Studies. She has taught at NYU, University of California at Santa Cruz and is now a Professor of Africana Studies at Brown University.

Professor Rose is most well-known for her ground-breaking book on the emergence of hip hop culture. Black Noise: Rap Music and Black Culture in Contemporary America, published in 1994 by Wesleyan Press, has since become a classic. It is considered a foundational text for the study of hip hop, one that has defined what has eventually become a serious field of study. Black Noise won an American Book Award from the Before Columbus Foundation in 1995 and was also cons
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Average rating: 4.11 · 1,687 ratings · 122 reviews · 8 distinct worksSimilar authors
Black Noise: Rap Music and ...

4.10 avg rating — 846 ratings — published 1994 — 9 editions
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The Hip Hop Wars: What We T...

4.05 avg rating — 613 ratings — published 2008 — 14 editions
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Longing to Tell: Black Wome...

4.14 avg rating — 122 ratings — published 2003 — 7 editions
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Metaracism: How Systemic Ra...

4.51 avg rating — 97 ratings4 editions
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Microphone Fiends: Youth Mu...

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3.66 avg rating — 35 ratings — published 1994 — 8 editions
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Compassionate Caregiving: P...

4.80 avg rating — 5 ratings3 editions
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Urban Mythologies: The Bron...

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liked it 3.00 avg rating — 2 ratings — published 1999 — 2 editions
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Barulho de Preto: Rap e Cul...

0.00 avg rating — 0 ratings
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More books by Tricia Rose…
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“Powerful corporate interests that dominate radio, television, record production, magazines, and all other related hip hop promotional venues are choosing to support and promote negative images above all others—all the while pretending that they are just conduits of existing conditions, and making excuses about these images being "reality.”
Tricia Rose, The Hip Hop Wars: What We Talk About When We Talk About Hip Hop--and Why It Matters

“Cowardly silence aside, these executives could not have transformed commercial hip hop into a playground for destructive street icons alone. Clearly, the corporate takeover of commercial hip hop has also been facilitated, directly or indirectly, by artists (especially those who have become moguls and entrepreneurs) who gleefully rap about guns and bitches, liberal and conservative critics and academics, and journalists who uncritically profile these artists and hip hop fans of all races, classes, and genders. This shift was not inevitable; it was allowed to happen.”
Tricia Rose, The Hip Hop Wars: What We Talk About When We Talk About Hip Hop--and Why It Matters

“The criticism that hip hop advocates and thus causes violence relies on the unsubstantiated but widely held belief that listening to violent stories or consuming violent images directly encourages violent behavior.”
Tricia Rose, The Hip Hop Wars: What We Talk About When We Talk About Hip Hop--and Why It Matters

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