Andrew Muir
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One More Night: Bob Dylan's Never Ending Tour
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published
2013
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4 editions
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The Razor's Edge: Bob Dylan and the Neverending Tour
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published
2001
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3 editions
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Bob Dylan & William Shakespeare: The True Performing of It
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The Session
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Troubadour: Songs of Bob Dylan
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published
2015
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Troubadour : Early and Late Songs of Bob Dylan
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published
2003
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Does Everyone Stare The Way I Do?: A Bittersweet 'Sting' in the Tale (Stings in Tales Book 1)
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Man Out Of Time
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The Last Mistress
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published
2011
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3 editions
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Shakespeare in Cambridge: A Celebration of the Shakespeare Festival
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published
2015
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4 editions
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“The 1997 album Time Out of Mind was released after, though written prior to, a brush with mortality for the singer himself when he contracted histoplasmosis whose symptoms range from being flu like to being life threatening. Dylan was seriously ill and, upon returning to public view from his recuperation, wryly remarked that: “I really thought I’d be seeing Elvis soon.”
― Bob Dylan & William Shakespeare: The True Performing of It
― Bob Dylan & William Shakespeare: The True Performing of It
“Kill me dead” is a tautology that worries some critics, but Dylan, before writing his own version, sang it early (and later) in his career as part of ‘Cocaine Blues’. It appears straight, as those three words, in Shakespeare’s Titus Andronicus and in variants elsewhere, most notably, given Dylan’s frequent recourse to that seminal play, in Hamlet.1 We will be looking at the language of Dylan’s Tempest in detail in the final chapter, but it is fitting here to quote one of Anne Margaret Daniel’s notes on ‘Early Roman Kings’: “That ‘Gonna shake ’em all down’ sounds contemporary, or at least twentieth century; automatically, we associate shakedown with the Grateful Dead, yet, it too is Shakespeare’s. Merriam-Webster lists its first use in 1859, but Shakespeare riffed on it in Coriolanus.”
― Bob Dylan & William Shakespeare: The True Performing of It
― Bob Dylan & William Shakespeare: The True Performing of It
“Professor Marjorie Garber pointed out the close affinity that exists between Shakespeare’s Romeo and Juliet and Dylan’s “The Times They Are A-Changin’”.11 The play, she states, is: “concerned with youth, sexuality, media, and generational conflict … the love story of two young people and the failure of parents to understand their idealistic and rebellious children. Romeo’s outburst to Friar Laurence “Thou canst not speak of that thou dost not feel” was, effectively, the cry of a generation.”
― Bob Dylan & William Shakespeare: The True Performing of It
― Bob Dylan & William Shakespeare: The True Performing of It
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