Andrew Muir

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Andrew Muir



Average rating: 3.67 · 111 ratings · 9 reviews · 27 distinct works
One More Night: Bob Dylan's...

3.65 avg rating — 37 ratings — published 2013 — 4 editions
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The Razor's Edge: Bob Dylan...

3.57 avg rating — 21 ratings — published 2001 — 3 editions
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Bob Dylan & William Shakesp...

3.86 avg rating — 14 ratings2 editions
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The Session

3.67 avg rating — 6 ratings4 editions
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Troubadour: Songs of Bob Dylan

3.33 avg rating — 6 ratings — published 2015
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Troubadour : Early and Late...

liked it 3.00 avg rating — 2 ratings — published 2003
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Does Everyone Stare The Way...

it was amazing 5.00 avg rating — 1 rating
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Man Out Of Time

it was amazing 5.00 avg rating — 1 rating2 editions
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The Last Mistress

really liked it 4.00 avg rating — 1 rating — published 2011 — 3 editions
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Shakespeare in Cambridge: A...

really liked it 4.00 avg rating — 1 rating — published 2015 — 4 editions
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“The 1997 album Time Out of Mind was released after, though written prior to, a brush with mortality for the singer himself when he contracted histoplasmosis whose symptoms range from being flu like to being life threatening. Dylan was seriously ill and, upon returning to public view from his recuperation, wryly remarked that: “I really thought I’d be seeing Elvis soon.”
Andrew Muir, Bob Dylan & William Shakespeare: The True Performing of It

“Kill me dead” is a tautology that worries some critics, but Dylan, before writing his own version, sang it early (and later) in his career as part of ‘Cocaine Blues’. It appears straight, as those three words, in Shakespeare’s Titus Andronicus and in variants elsewhere, most notably, given Dylan’s frequent recourse to that seminal play, in Hamlet.1 We will be looking at the language of Dylan’s Tempest in detail in the final chapter, but it is fitting here to quote one of Anne Margaret Daniel’s notes on ‘Early Roman Kings’: “That ‘Gonna shake ’em all down’ sounds contemporary, or at least twentieth century; automatically, we associate shakedown with the Grateful Dead, yet, it too is Shakespeare’s. Merriam-Webster lists its first use in 1859, but Shakespeare riffed on it in Coriolanus.”
Andrew Muir, Bob Dylan & William Shakespeare: The True Performing of It

“Professor Marjorie Garber pointed out the close affinity that exists between Shakespeare’s Romeo and Juliet and Dylan’s “The Times They Are A-Changin’”.11 The play, she states, is: “concerned with youth, sexuality, media, and generational conflict … the love story of two young people and the failure of parents to understand their idealistic and rebellious children. Romeo’s outburst to Friar Laurence “Thou canst not speak of that thou dost not feel” was, effectively, the cry of a generation.”
Andrew Muir, Bob Dylan & William Shakespeare: The True Performing of It

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