Guan Hanqing (simplified Chinese: 关汉卿; traditional Chinese: 關漢卿; pinyin: Guān Hànqīng; Wade–Giles: Kuan Han-ch'ing) (c. 1241-1320), sobriquet "the Oldman of the Studio" (齋叟 Zhāisǒu), was a notable Chinese playwright and poet in the Yuan Dynasty. He has been described as among the most prolific and highly regarded dramatists of the Yuan period.[1]
Guan spent much of his later life in Dadu and produced about 65 plays, mostly in the vernacular of the time. Fourteen of his plays are extant, including:
The Injustice to Dou E a.k.a. Snow in Midsummer (感天動地竇娥冤 Gǎn Tiān Dòng Dì Dòu É Yuān) Saving the Dusty-windy a.k.a. Saving the Prostitute a.k.a. Rescued by a Coquette (趙盼兒風月救風塵 Zhào Pàn Ér Fēng Yuè Jiù Fēng Chén) The Conference of a Single Dao a.k.Guan Hanqing (simplified Chinese: 关汉卿; traditional Chinese: 關漢卿; pinyin: Guān Hànqīng; Wade–Giles: Kuan Han-ch'ing) (c. 1241-1320), sobriquet "the Oldman of the Studio" (齋叟 Zhāisǒu), was a notable Chinese playwright and poet in the Yuan Dynasty. He has been described as among the most prolific and highly regarded dramatists of the Yuan period.[1]
Guan spent much of his later life in Dadu and produced about 65 plays, mostly in the vernacular of the time. Fourteen of his plays are extant, including:
The Injustice to Dou E a.k.a. Snow in Midsummer (感天動地竇娥冤 Gǎn Tiān Dòng Dì Dòu É Yuān) Saving the Dusty-windy a.k.a. Saving the Prostitute a.k.a. Rescued by a Coquette (趙盼兒風月救風塵 Zhào Pàn Ér Fēng Yuè Jiù Fēng Chén) The Conference of a Single Dao a.k.a. Meeting the Enemies Alone a.k.a. Lord Guan Goes to the Feast (關大王獨赴單刀會 Guān Dà Wáng Dú Fù Dān Dāo Huì) The Pavilion of Moon-Worship (閨怨佳人拜月亭 Guī Yuàn Jiā Rén Bài Yuè Tíng) The Butterfly Dream (包待制三勘蝴蝶夢 Bāo Dài Zhì Sān Kān Hú Dié Mèng) The Wife-Snatcher (包待制智斬魯齋郎 Bāo Dài Zhì Zhì Zhǎn Lǔ Zhāi Láng) The Riverside Pavilion (望江亭中秋切膾旦 Wàng Jiāng Tíng Zhōng Qiū Qiē Kuài Dàn) The Jade Mirror-Stand (溫太真玉鏡臺 Wēn Tài Zhēn Yù Jìng Tái) Death of the Winged-Tiger General (鄧夫人苦痛哭存孝 Dèng Fū Rén Kǔ Tòng Kū Cún Xiào) ...more
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