Edward Ball
Born
in Savannah, Georgia, The United States
January 01, 1958
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Slaves in the Family
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published
1998
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30 editions
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The Inventor and the Tycoon: A Gilded Age Murder and the Birth of Moving Pictures
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published
2012
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10 editions
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Life of a Klansman: A Family History in White Supremacy
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published
2020
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5 editions
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Peninsula of Lies: A True Story of Mysterious Birth and Taboo Love
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published
2004
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12 editions
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The Sweet Hell Inside: The Rise of an Elite Black Family in the Segregated South
by
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published
2001
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8 editions
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The Genetic Strand: Exploring a Family History Through DNA
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published
2007
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9 editions
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The Sweet Hell Inside
by
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published
2001
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Gretsch 6120: The History of a Legendary Guitar
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published
2010
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2 editions
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Ball's Manual of Gretsch Guitars: 1950s
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published
2014
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3 editions
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What I Learned in the Streets & Prison: That Can Help You Win at the Game of Life
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published
2013
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“The cult of the individual that dominates modern minds, the ideology of the “I,” prevents most of us from seeing ourselves as products of the chronicle and choices of our predecessors”
― Life of a Klansman: A Family History in White Supremacy
― Life of a Klansman: A Family History in White Supremacy
“stepped into the witness box to be examined. The defense wanted jurors who empathized with Muybridge—a married man who had a runaway wife, on the one hand, and a man who confronted a sexual rival, on the other.”
― The Inventor and the Tycoon: A Gilded Age Murder and the Birth of Moving Pictures
― The Inventor and the Tycoon: A Gilded Age Murder and the Birth of Moving Pictures
“The past feels like a comfortable place to make moral judgments. It is comfortable because we underestimate the people who live in it. We regard them as less than we are—or in reverse, grander than we are—but always, not like what we are. The past is a place where we can enjoy moral judgment and feel superior to a roomful of unfortunate people, not so enlightened as us, who had the bad luck to live when and where they did. One value in spinning out the story of a plain man is to show how complex an ordinary person can be, or was; to show the multitudes a life contains. It is dreadful what this character, my unlikeable protagonist, does with himself and with others. What would it mean to say that his judgments are not different by much from our own? One value in writing this particular life is to refuse to let the past be a refuge, to decline to feel superior to it, to reject feeling good because you are better than the uncountable idiots who are conveniently dead.”
― Life of a Klansman: A Family History in White Supremacy
― Life of a Klansman: A Family History in White Supremacy
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