Eric Nisenson

“But unceasing innovation is a vital part of jazz for several reasons, not all of them strictly musical. Since its inception, jazz has been a statement by its principally black players of their lives and social situation in this country. It is descended from the coded field songs of the slaves, which acted as catharsis for their pain and indignity. When Louis Armstrong became the first great jazz soloist, his music spoke for all those blacks who, like Louis, had moved north with fresh hopes as well as new disappointment. Ellington, Billie Holiday, and Lester Young announced a changing, more prideful attitude among blacks of the Thirties. Likewise, the music of the great jazz musicians of the bop revolution, Charlie Parker, Dizzy Gillespie, and Bud Powell, spoke for the new militance of those young blacks who had fought in World War II and expected America to be a new country after defeating the forces of bigotry and fascism.”
― Eric Nisenson, Ascension: John Coltrane And His Quest