Sianne Ngai
Born
in Washington, D.C., The United States
October 03, 1971
Website
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Ugly Feelings
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published
2005
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6 editions
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Our Aesthetic Categories: Zany, Cute, Interesting
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published
2012
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6 editions
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Theory of the Gimmick: Aesthetic Judgment and Capitalist Form
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published
2020
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7 editions
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The Cute
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Criteria
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published
1998
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Discredit
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published
1997
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2 editions
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Das Niedliche und der Gimmick: Zwei ästhetische Kategorien: 489
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My Novel
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published
1994
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Our Aesthetic Categories by Sianne Ngai (2012-10-23)
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Nos catégories esthétiques: Le zinzin, le mignon, l’intéressant
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“The asymmetry of power that cuteness revolves around is another compelling reminder of how aesthetic categories register social conflict. There can be no experience of any person or object as cute that does not somehow call up the subject’s sense of power over those who are less powerful. But, as Lori Merish underscores, the fact that the cute object seems capable of making an affective demand on the subject—a demand for care that the subject is culturally as well as biologically compelled to fulfill—is already a sign that “cute” does not just denote a static power differential, but rather a dynamic and complex power struggle.”
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“The pain receptors have evolved to make us care about injury and disease. Pain is an analog of injury in its inherent similarity. Contrast pain with an orgasm, as a possible analog. If, instead of pain, we always had an orgasm to injury, we would be biologically destined to bleed to death.”
― Ugly Feelings
― Ugly Feelings
“In an equally counterintuitive fashion, affect’s distinctive function of amplifying the awareness and effects of other functions is based on its ability to “simulate” them. Affect produces “urgent analogs” not only of the rate and duration of its “external activator” (the pistol shot, for instance, that activates surprise), but of the abstract profiles of “neural firing” generated by the external activator, profiles which Tomkins calls “innate activators.”
― Ugly Feelings
― Ugly Feelings
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