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Joan Marler’s Followers (4)
Joan Marler
More books by Joan Marler…
“One night, while studying Joseph Campbell’s Masks of God series, I read for the first time that the Garden of Eden story was the retelling of a much earlier motif in which the woman, the tree, the serpent, and the garden formed an emblematic expression of the highest spiritual quest. I was absolutely stunned, as though an explosion had gone off within me. At that moment, I realized I was not wrong, as a small child, to yearn to become Eve―not the biblical Eve, but the one who is simultaneously the tree as axis mundi connecting earth and sky, the serpent of death and regeneration, and the garden as the matrix of all life. I asked myself: What ground am I standing on? The answer came in a flash: that my feet had been cut off and I was planted with my bloody stumps on the desiccated ground of the Punitive Father. At that moment, I knew I had to find the Sacred Ground under my own feet, and to recover this ancient female lineage within myself. - excerpt from Foremothers of the Women's Spirituality Movement: Elders and Visionaries, edited by Miriam Robbins Dexter and Vicki Noble”
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“The Gorgon Medusa presents herself to us here and now, requiring us to be fully present, to listen deeply—past the noise of accumulated judgments—to the Ancient Wisdom that is our true inheritance. As the Great Awakener, She reminds us of our mortality and encourages us to reclaim whatever has been silenced or diminished within us while we are privileged to be alive. We are admonished to have the courage to act and speak what is true, to trust ourselves to hold her gaze and know we will not be turned to stone.”
― Re-visioning Medusa: from Monster to Divine Wisdom
― Re-visioning Medusa: from Monster to Divine Wisdom
“It is no surprise, then, that the earth deities of the Old Religion were demonized or co-opted. A typical task for Greek heroes was to rid the civilized world of those “earth-born bogeys.” The Gorgon Medusa, whose gaze turned men to stone, became an obvious target. Nevertheless, on the periphery of the Greek world, there is evidence that She was venerated in her ancient powers. During the 6th century BCE on the island of Corfu, an eight-foot-high full-bodied sculpture of Medusa was placed at the highest point on the pediment of the temple of Artemis. This Medusa is not raging, but is radiant in her full potency. Snakes with open jaws extend from each side of her head and two copulating serpents encircle her waist, carrying the potential for both death and new life. She wears winged sandals, her great wings are fully extended, sheltering her two children, and her bent-knee posture suggests that she is flying. All shamanic dimensions are Hers—the Great Above, the Great Below, the Primordial Waters, and the entire expanse of the Earth. She is flanked by great felines, just as the Phrygian Mountain Goddess Cybele and the seated Ancestral Mother from Çatalhöyük before her.'' ''The establishment of the Greek patriarchal world shifted the previous cultural valence from the egalitarian continuity of the Old Religion to the extreme imposition of male dominance and the cult of the hero. Under this new world order, all challenges to male hegemonic systems were to be crushed. As the classicist Eva Keuls emphasizes, “the suppression of women, the military expansionism and the harshness in the conduct of civic affairs all sprang from a common aggressive impulse.” That impulse was the expression of “male supremacy and the cult of power and violence.”
― Re-visioning Medusa: from Monster to Divine Wisdom
― Re-visioning Medusa: from Monster to Divine Wisdom
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