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Caroline Alexander

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Caroline Alexander



Caroline Alexander has written for The New Yorker, Granta, Condé Nast Traveler, Smithsonian, Outside, and National Geographic. She is the curator of "Endurance: Shackleton's Legendary Expedition," an exhibition that opened at the American Museum of Natural History in March 1999. She lives on a farm in New Hampshire. ...more

Average rating: 4.22 · 38,549 ratings · 2,595 reviews · 45 distinct worksSimilar authors
The Endurance: Shackleton's...

4.34 avg rating — 21,693 ratings — published 1998 — 30 editions
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The Bounty: The True Story ...

3.95 avg rating — 5,333 ratings — published 2003 — 42 editions
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The War That Killed Achille...

3.97 avg rating — 1,883 ratings — published 2009 — 36 editions
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Skies of Thunder: The Deadl...

3.92 avg rating — 617 ratings4 editions
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Mrs. Chippy's Last Expediti...

3.98 avg rating — 402 ratings — published 1997 — 19 editions
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Lost Gold of the Dark Ages:...

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4.09 avg rating — 100 ratings — published 2011 — 7 editions
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One Dry Season

3.38 avg rating — 55 ratings — published 2012 — 10 editions
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The way to Xanadu

3.42 avg rating — 24 ratings — published 1993 — 9 editions
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Battle's End: A Seminole Fo...

3.30 avg rating — 10 ratings — published 1995 — 2 editions
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Skies of Thunder: The deadl...

3.33 avg rating — 3 ratings2 editions
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Quotes by Caroline Alexander  (?)
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“I have seen Fuji, the most dainty and graceful of all mountains; and also Kinchinjunga: only Michael Angelo among men could have conceived such grandeur. But give me Erebus for my friend. Whoever made Erebus knew all the charm of horizontal lines, and the lines of Erebus are for the most part nearer the horizontal then the vertical. And so he is the most restful mountain in the world, and I was glad when I knew that our hut would lie at his feet. And always there floated from his crater the lazy banner of his cloud of steam.”
Caroline Alexander, The Worst Journey in the World

“We honor the Greeks because in their art, literature, philosophy and civic history we discern the early stirrings of our own ideals—rationalism, humanism, democracy—which first took firm root in Athenian soil.”
Caroline Alexander, Lost Gold of the Dark Ages: War, Treasure, and the Mystery of the Saxons

“In the modern era, teachers and scholarship have traditionally laid strenuous emphasis on the fact that Briseis, the woman taken from Achilles in Book One, was his géras, his war prize, the implication being that her loss for Achilles meant only loss of honor, an emphasis that may be a legacy of the homoerotic culture in which the classics and the Iliad were so strenuously taught—namely, the British public-school system: handsome and glamorous Achilles didn’t really like women, he was only upset because he’d lost his prize! Homer’s Achilles, however, above all else, is spectacularly adept at articulating his own feelings, and in the Embassy he says, “‘Are the sons of Atreus alone among mortal men the ones / who love their wives? Since any who is a good man, and careful, / loves her who is his own and cares for her, even as I now / loved this one from my heart, though it was my spear that won her’ ” (9.340ff.). The Iliad ’s depiction of both Achilles and Patroklos is nonchalantly heterosexual. At the conclusion of the Embassy, when Agamemnon’s ambassadors have departed, “Achilles slept in the inward corner of the strong-built shelter, / and a woman lay beside him, one he had taken from Lesbos, / Phorbas’ daughter, Diomede of the fair colouring. / In the other corner Patroklos went to bed; with him also / was a girl, Iphis the fair-girdled, whom brilliant Achilles / gave him, when he took sheer Skyros” (9.663ff.). The nature of the relationship between Achilles and Patroklos played an unlikely role in a lawsuit of the mid-fourth century B.C., brought by the orator Aeschines against one Timarchus, a prominent politician in Athens who had charged him with treason. Hoping to discredit Timarchus prior to the treason trial, Aeschines attacked Timarchus’ morality, charging him with pederasty. Since the same charge could have been brought against Aeschines, the orator takes pains to differentiate between his impulses and those of the plaintiff: “The distinction which I draw is this—to be in love with those who are beautiful and chaste is the experience of a kind-hearted and generous soul”; Aeschines, Contra Timarchus 137, in C. D. Adams, trans., The Speeches of Aeschines (Cambridge, MA, 1958), 111. For proof of such love, Aeschines cited the relationship between Achilles and Patroklos; his citation is of great interest for representing the longest extant quotation of Homer by an ancient author. 32”
Caroline Alexander, The War That Killed Achilles: The True Story of Homer's Iliad and the Trojan War

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