Wesley Morris
|
The Great Gatsby
by
—
published
1925
—
19 editions
|
|
|
The 1619 Project: A New Origin Story
by
—
published
2019
—
25 editions
|
|
|
The Wonder of Stevie
by |
|
|
The Best American Essays 2024
—
published
2024
—
8 editions
|
|
|
Prince: An Artist's Life, 1958-2016
by |
|
|
Grantland Quarterly 7
by
—
published
2013
—
2 editions
|
|
|
Grantland Quarterly 8
by
—
published
2013
—
2 editions
|
|
|
Toward a New Historicism
—
published
1972
—
4 editions
|
|
|
Reading Faulkner
—
published
1989
—
2 editions
|
|
|
Friday’s Footprint: Structuralism and the Articulated Text
—
published
1979
—
2 editions
|
|
“Minstrelsy's grotesquerie deluded white audiences into feeling better about themselves. It induced a bearable cognitive dissonance that outlasted enslavement. The caricatures of Black people as extravagantly lazy, licentious, vulgar, disheveled, and abject always drew a comforting contrast with a white person's sense of honor and civility, with a white person's simply being white.”
― The 1619 Project: A New Origin Story
― The 1619 Project: A New Origin Story
“Something about white America's desire for Blackness warps and perverts its source, lampoons and cheapens it even in adoration. Loving Black culture has never demanded a corresponding love of Black people. And loving Black culture has tended to result in loving the life out of it.”
― The 1619 Project: A New Origin Story
― The 1619 Project: A New Origin Story
“As they were being worked, sometimes to death, white people, desperate with anticipation, were paying to see a terrible distortion of the enslaved depicted at play.”
― The 1619 Project: A New Origin Story
― The 1619 Project: A New Origin Story
Is this you? Let us know. If not, help out and invite Wesley to Goodreads.


















