Hortense Spillers

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Hortense Spillers


Born
in Memphis, TN, The United States
January 01, 1942

Website


Hortense Spillers is a literary critic, Black Feminist scholar and the Gertrude Conaway Vanderbilt Professor at Vanderbilt University. A scholar of the African diaspora, Spillers is known for her essays on African-American literature in Black, White, and In Color: Essays on American Literature and Culture, published by the University of Chicago Press in 2003 and Comparative American Identities: Race, Sex, and Nationality in the Modern Text, published by Routledge in 1991.

Average rating: 4.39 · 1,349 ratings · 84 reviews · 12 distinct worksSimilar authors
The Norton Anthology of Afr...

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4.38 avg rating — 1,258 ratings — published 1996 — 33 editions
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Black, White, and in Color:...

4.44 avg rating — 100 ratings — published 2003 — 9 editions
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Mama's Baby Papa's Maybe : ...

4.45 avg rating — 92 ratings
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Clarence & Corinne

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3.69 avg rating — 13 ratings — published 1890 — 6 editions
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Comparative American Identi...

4.40 avg rating — 5 ratings — published 1991
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The Idea of Black Culture

4.67 avg rating — 3 ratings2 editions
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The Norton Anthology of Afr...

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it was amazing 5.00 avg rating — 2 ratings
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Fabrics of History: Essays ...

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Brother Isom

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The Sixties and the World E...

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0.00 avg rating — 0 ratings — published 2009
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More books by Hortense Spillers…
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“The anatomical specifications of rupture, of altered human tissue, take on the objective description of laboratory prose – eyes beaten out, arms, backs, skulls branded, a left jaw, a right ankle, punctured; teeth missing, as the calculated work of iron, whips, chains, knives, the canine patrol, the bullet. These undecipherable markings on the captive body render a kind of hieroglyphics of the flesh whose severe disjunctures come to be hidden to the cultural seeing by color.”
Hortense Spillers, Black, White, and in Color: Essays on American Literature and Culture

“This problematizing of gender places her, in my view, out of the traditional symbolics of female gender, and it is our task to make a place for this different social subject. In doing so, we are less interested in joining the ranks of gendered femaleness than gaining the insurgent ground as female social subject. Actually claiming the monstrosity (of a female with the potential to "name"), which her culture imposes in blindness, 'Sapphire' might after all rewrite a radically different text for female empowerment.”
Hortense Spillers, Mama's Baby Papa's Maybe : An American Grammar Book

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