Vernon Hyde Minor
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Art History's History
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published
1993
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12 editions
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Baroque & Rococo: Art & Culture
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published
1999
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13 editions
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Baroque Visual Rhetoric
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Memoirs of the American Academy in Rome, Vol. 53 (2008)
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published
2009
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The Death of the Baroque and the Rhetoric of Good Taste
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published
2005
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3 editions
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Passive Tranquillity: The Sculpture of Filippo della Valle, Transactions, American Philosophical Society (vol. 87, part 5) (Transactions of the American Philosophical Society, 711)
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published
1997
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Memoirs of the American Academy in Rome, Vol. 54 (2009)
by
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published
2010
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Memoirs of the American Academy in Rome, Vol. 55 (2010)
by
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published
2011
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Memoirs of the American Academy in Rome, Vol. 51 (2006) / 52 (2007)
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published
2007
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Memoirs of the American Academy in Rome, Vol. 50 (2005)
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published
2006
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“Our inability to understand the sublime or cope with the absolute is also a hint of its undoing; magnificence, like magnanimity, stands always on a precipice, ready to crumble.”
― Baroque Visual Rhetoric
― Baroque Visual Rhetoric
“The philosopher Martin Heidegger argued that "Great Art" is "truth-disclosing," and therefore, following the thinking of Georg Wilhelm Friedrich Hegel, Heidegger asserted that Great Art only existed in the past. Indeed, even Heidegger would have wavered on whether Great Art - or Hegel's "art and the absolute" - survived into the seventeenth century, the time of St Peter's and the baroque. Just the same, Heidegger reasoned that in the modern era Great Art is dead; art may still exist but it is not great. It cannot be great because it is propelled by aesthetics rather than truth. Without truth there is no philosophy of art.
To be true, art must, in Hegel's and Heidegger's terms, be accepted by a culture as a whole. I believe we can say with some certainty that the Catholic world as a whole accepted this building and saw it much as worshippers and pilgrims experienced Chartres Cathedral, for instance, in the thirteenth century: it is the Heavenly Jerusalem come to earth.”
― Baroque Visual Rhetoric
To be true, art must, in Hegel's and Heidegger's terms, be accepted by a culture as a whole. I believe we can say with some certainty that the Catholic world as a whole accepted this building and saw it much as worshippers and pilgrims experienced Chartres Cathedral, for instance, in the thirteenth century: it is the Heavenly Jerusalem come to earth.”
― Baroque Visual Rhetoric
Topics Mentioning This Author
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Reading with Style:
Fall 2012 General Questions & Answers
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Reading with Style:
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