Frank  Smith

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Frank Smith


Born
in London, The United Kingdom
February 10, 1928

Died
December 29, 2020

Genre


Frank Smith was a psycholinguist recognized for his contributions in linguistics and cognitive psychology. He was contributor to research on the nature of the reading process together with researchers such as George Armitage Miller, Kenneth S. Goodman (see Ken Goodman), Paul A. Kolers, Jane W. Torrey, Jane Mackworth, Richard Venezky, Robert Calfee, and Julian Hochberg. Smith and Goodman were singled out as originators of the modern psycholinguistic approach to reading instruction.

Average rating: 4.0 · 743 ratings · 98 reviews · 26 distinct worksSimilar authors
The Book of Learning and Fo...

4.09 avg rating — 351 ratings — published 1998 — 4 editions
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Reading Without Nonsense

4.02 avg rating — 115 ratings — published 1978 — 11 editions
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Understanding Reading: A Ps...

3.58 avg rating — 78 ratings — published 1971 — 38 editions
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Insult to Intelligence: The...

4.14 avg rating — 35 ratings — published 1986 — 5 editions
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To Think

4.60 avg rating — 30 ratings — published 1990 — 14 editions
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Joining the Literacy Club: ...

4.05 avg rating — 20 ratings — published 1987 — 3 editions
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Unspeakable Acts, Unnatural...

3.95 avg rating — 19 ratings — published 2003 — 3 editions
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The Glass Wall: Why Mathema...

3.23 avg rating — 22 ratings — published 2002 — 5 editions
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Reading: FAQ

4.27 avg rating — 11 ratings — published 2007 — 3 editions
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Ourselves

3.42 avg rating — 12 ratings — published 2006 — 8 editions
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More books by Frank Smith…
Quotes by Frank Smith  (?)
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“Writing is for stories to be read, books to be published, poems to be recited, plays to be acted, songs to be sung, newspapers to be shared, letters to be mailed, jokes to be told, notes to be passed, recipes to be cooked, messages to be exchanged, memos to be circulated, announcements to be posted, bills to be collected, posters to be displayed and diaries to be concealed. Writing is for ideas, action, reflection, and experience. It is not for having your ignorance exposed, your sensitivity destroyed, or your ability assessed.”
Frank Smith

“First, relax. ... And my second helpful hint is that you should not try to memorize anything you read in this book. ... My two words of advice are exemplified in what I call the Russian Novel Phenomenon. Every reader must have experienced that depressing moment about fifty pages into a Russian novel when we realize that we have lost track of all the characters, the variety of names by which they are known, their family relationships and relative ranks in the civil service. At this point we can give in to our anxiety, and start again to read more carefully, trying to memorize all the details on the offchance that some may prove to be important. If such a course is followed, the second reading is almost certain to be more incomprehensible than the first. The probable result: one Russian novel lost forever. But there is another alternative: to read faster, to push ahead, to make sense of what we can and to enjoy whatever we make sense of. And suddenly the book becomes readable, the story makes sense, and we find that we can remember all the important characters and events simply because we know what is important. Any re-reading we then have to do is bound to make sense, because at least we comprehend what is going on and what we are looking for.”
Frank Smith

“You can't see other's point of view when you have only one language.”
Frank Smith